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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Don’t Tell Me What You Can Do: Show Me

Jeff Ostrowski · April 13, 2015

930 Ben Carson ANY ASPECTS of Dr. Ben Carson’s life are inspiring. His mother made him complete book reports every week when he was growing up. Carson didn’t realize that his mother (completely illiterate) couldn’t read his reports. He kept doing them because she gave him no choice in the matter. He eventually became a respected neurosurgeon—the first to successfully separate conjoined twins joined at the head.

However, I don’t believe Ben Carson will be elected president, and the reason can be tied to church music. Let me explain.

Dr. Ben Carson is attempting to go from having never held public office to the highest seat in the land. Everyone agrees that being governor of a state—for example—is easier than being president of all fifty states. If Dr. Carson, or Ross Perot, or any other civilian wants to be elected to the highest office, the least they can do is govern a state for a few years. If their ideas are sound, they will have no problems running that state; and they can then seek the presidency. Nobody would accept an argument which says, “Although incapable of properly running a single state, I would be capable of running all fifty states.”

HAVE YOU GUESSED ALREADY what this has to do with church music?

Anyone who’s been involved with church music soon realizes that everybody has advice for you. This is especially true on the internet. Some people spend all day criticizing other church musicians. They will pontificate for hours and hours. What they will never do is post actual recordings of their choirs. Believe it or not, the ones who pontificate the loudest usually have never conducted a choir before. Don’t forget that directing a choir is extremely difficult. The obstacles often seem insurmountable. It’s one of the hardest jobs in the entire world.

Anyone can talk about church music. The quickest way to silence somebody—especially on the internet—is by politely asking, “Why not post a recording of your choir from last Sunday?”

While teaching at the CMAA colloquium, I once used this tactic on someone who’d been loudly critical of efforts by the various groups. The fellow pulled me aside and said:

“Oh, I can’t show you how my choir sounds; I don’t have one. I got fired as assistant organist more than a decade ago. Moreover, I’ve never had a choir bigger than 3-4 people because my singers kept quitting, saying they can’t stand the way I direct.”

I was speechless!  I gently suggested something to the effect of, “Perhaps you should go easier on the CMAA directors, considering your own attempts.”

Years ago I knew a carpenter who constantly bragged about how great he was. Once, he was trying to get hired to work on a house, and I could hear him bragging to the foreman. The foreman immediately cut him off:

“Here’s a hammer. Don’t tell me what you can do: show me.”

Construction workers are not generally known for their eloquence, but I’ll never forget those words.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

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