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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Don’t Tell Me What You Can Do: Show Me

Jeff Ostrowski · April 13, 2015

930 Ben Carson ANY ASPECTS of Dr. Ben Carson’s life are inspiring. His mother made him complete book reports every week when he was growing up. Carson didn’t realize that his mother (completely illiterate) couldn’t read his reports. He kept doing them because she gave him no choice in the matter. He eventually became a respected neurosurgeon—the first to successfully separate conjoined twins joined at the head.

However, I don’t believe Ben Carson will be elected president, and the reason can be tied to church music. Let me explain.

Dr. Ben Carson is attempting to go from having never held public office to the highest seat in the land. Everyone agrees that being governor of a state—for example—is easier than being president of all fifty states. If Dr. Carson, or Ross Perot, or any other civilian wants to be elected to the highest office, the least they can do is govern a state for a few years. If their ideas are sound, they will have no problems running that state; and they can then seek the presidency. Nobody would accept an argument which says, “Although incapable of properly running a single state, I would be capable of running all fifty states.”

HAVE YOU GUESSED ALREADY what this has to do with church music?

Anyone who’s been involved with church music soon realizes that everybody has advice for you. This is especially true on the internet. Some people spend all day criticizing other church musicians. They will pontificate for hours and hours. What they will never do is post actual recordings of their choirs. Believe it or not, the ones who pontificate the loudest usually have never conducted a choir before. Don’t forget that directing a choir is extremely difficult. The obstacles often seem insurmountable. It’s one of the hardest jobs in the entire world.

Anyone can talk about church music. The quickest way to silence somebody—especially on the internet—is by politely asking, “Why not post a recording of your choir from last Sunday?”

While teaching at the CMAA colloquium, I once used this tactic on someone who’d been loudly critical of efforts by the various groups. The fellow pulled me aside and said:

“Oh, I can’t show you how my choir sounds; I don’t have one. I got fired as assistant organist more than a decade ago. Moreover, I’ve never had a choir bigger than 3-4 people because my singers kept quitting, saying they can’t stand the way I direct.”

I was speechless!  I gently suggested something to the effect of, “Perhaps you should go easier on the CMAA directors, considering your own attempts.”

Years ago I knew a carpenter who constantly bragged about how great he was. Once, he was trying to get hired to work on a house, and I could hear him bragging to the foreman. The foreman immediately cut him off:

“Here’s a hammer. Don’t tell me what you can do: show me.”

Construction workers are not generally known for their eloquence, but I’ll never forget those words.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

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