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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

That Inscrutable Creature On The Internet

Jeff Ostrowski · September 9, 2014

884 Tridentine VER SINCE I first encountered that guy, I’ve been puzzled by him. Do you know him? I’m sure you do. That guy can be found on every major blog or forum. If the post is about blueberries, his comment is: “Here’s the Wikipedia entry on blueberries.” If the post is about furniture, his comment is: “Here’s the Wikipedia entry for furniture.” Why does he persist? Apparently, that guy feels special because he knows how to do a Google search and ardently desires that we praise him. But doesn’t he realize everyone knows how to do a Google search?

I’ve noticed a similar attitude when it comes to folks “discovering” the 1962 Missal. Certain people act as though they were the first to learn of its existence. I once saw a man displaying this attitude toward an elderly priest. I became angry and could hardly keep silent. I wanted to scream:

“Don’t you realize this priest attended the Latin Mass throughout the ’30s, ’40s, ’50s, and early ’60s? How dare you display such an attitude? Have you no sense?”

Yet, the elderly priest just stood there, perhaps realizing that words would be wasted on this person. After all, some people just don’t get it. Years after I’d started my collection of rare Solesmes books, a retired musicologist asked me—in the most serious way imaginable—if I owned a copy of the Liber Usualis. Week after week, he continued to ask me the same question. I think I eventually stopped answering him.

I know a blog author who spends inordinate amounts of time “chasing down” people he feels have stolen his exclusive news items. He desperately wants the whole world to appreciate how AMAZING he is. His plight is made more difficult by the fact that most of his “original blog articles” are copied & pasted from the Fox News Website.

HY DO I BRING all this up? The fact is, people who constantly try to POSSESS beauty & truth secretly loathe them. Truth & beauty are only valued by such people if they can be presented as “breaking news,” gaining the adulation of others. When someone describes a wonderful film, some people cannot simply nod their heads and say, “I love that film, too.” Instead, they feel compelled to say, “I saw it before you did.”

I know a liturgist who seemingly cannot help himself. Whenever anyone discusses hymnals which mutilate original texts for no good reason, he feels compelled to point out that the original version of HARK! THE HERALD ANGELS SING was “Hark, How All The Welkin Rings.” He was making this same argument all the way back in the 1990s. His students have been known to bait him by deliberately mentioning “authentic hymn words”—and without fail he tries to shock his listeners by means of the “Welkin Rings” example.

I’ve had some of my original ideas stolen by bloggers, and this used to annoy me like you wouldn’t believe. However, I’ve come to realize that truth & beauty should be loved for their own sake. It’s silly to try to “possess” them. One of my friends is fluent in eleven languages, and always seems to hear breaking news before anyone else. Yet, this same person has “ghost written” hundreds of articles going back all the way to the 1960s. Only his closest friends realize that all those brilliant ideas—for which others take credit—are the product of his brilliance.

In college, I took elementary Latin with a genius named Stanley Lombardo, even though I’d previously had four years of Latin in high school. Dr. Lombardo was probably the best teacher I ever had. Even when he was explaining the most basic concepts, I learned so much.

A PRIEST WE ONCE HAD began every sermon with verse 9 from the first chapter of Ecclesiastes: “There’s nothing new under the sun.” How true that is! What’s really interesting is to watch old presidential debates. For example, Al Gore fought George Bush about “nation building” and “overextending the U.S. military”—but you’d be amazed to see who espoused which positions. Walter Mondale fought Ronald Reagan over “an out-of-control deficit” and “terrorists illegally crossing the Mexican border”—but, again, you’d be amazed at who took which position.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

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