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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

That Inscrutable Creature On The Internet

Jeff Ostrowski · September 9, 2014

884 Tridentine VER SINCE I first encountered that guy, I’ve been puzzled by him. Do you know him? I’m sure you do. That guy can be found on every major blog or forum. If the post is about blueberries, his comment is: “Here’s the Wikipedia entry on blueberries.” If the post is about furniture, his comment is: “Here’s the Wikipedia entry for furniture.” Why does he persist? Apparently, that guy feels special because he knows how to do a Google search and ardently desires that we praise him. But doesn’t he realize everyone knows how to do a Google search?

I’ve noticed a similar attitude when it comes to folks “discovering” the 1962 Missal. Certain people act as though they were the first to learn of its existence. I once saw a man displaying this attitude toward an elderly priest. I became angry and could hardly keep silent. I wanted to scream:

“Don’t you realize this priest attended the Latin Mass throughout the ’30s, ’40s, ’50s, and early ’60s? How dare you display such an attitude? Have you no sense?”

Yet, the elderly priest just stood there, perhaps realizing that words would be wasted on this person. After all, some people just don’t get it. Years after I’d started my collection of rare Solesmes books, a retired musicologist asked me—in the most serious way imaginable—if I owned a copy of the Liber Usualis. Week after week, he continued to ask me the same question. I think I eventually stopped answering him.

I know a blog author who spends inordinate amounts of time “chasing down” people he feels have stolen his exclusive news items. He desperately wants the whole world to appreciate how AMAZING he is. His plight is made more difficult by the fact that most of his “original blog articles” are copied & pasted from the Fox News Website.

HY DO I BRING all this up? The fact is, people who constantly try to POSSESS beauty & truth secretly loathe them. Truth & beauty are only valued by such people if they can be presented as “breaking news,” gaining the adulation of others. When someone describes a wonderful film, some people cannot simply nod their heads and say, “I love that film, too.” Instead, they feel compelled to say, “I saw it before you did.”

I know a liturgist who seemingly cannot help himself. Whenever anyone discusses hymnals which mutilate original texts for no good reason, he feels compelled to point out that the original version of HARK! THE HERALD ANGELS SING was “Hark, How All The Welkin Rings.” He was making this same argument all the way back in the 1990s. His students have been known to bait him by deliberately mentioning “authentic hymn words”—and without fail he tries to shock his listeners by means of the “Welkin Rings” example.

I’ve had some of my original ideas stolen by bloggers, and this used to annoy me like you wouldn’t believe. However, I’ve come to realize that truth & beauty should be loved for their own sake. It’s silly to try to “possess” them. One of my friends is fluent in eleven languages, and always seems to hear breaking news before anyone else. Yet, this same person has “ghost written” hundreds of articles going back all the way to the 1960s. Only his closest friends realize that all those brilliant ideas—for which others take credit—are the product of his brilliance.

In college, I took elementary Latin with a genius named Stanley Lombardo, even though I’d previously had four years of Latin in high school. Dr. Lombardo was probably the best teacher I ever had. Even when he was explaining the most basic concepts, I learned so much.

A PRIEST WE ONCE HAD began every sermon with verse 9 from the first chapter of Ecclesiastes: “There’s nothing new under the sun.” How true that is! What’s really interesting is to watch old presidential debates. For example, Al Gore fought George Bush about “nation building” and “overextending the U.S. military”—but you’d be amazed to see who espoused which positions. Walter Mondale fought Ronald Reagan over “an out-of-control deficit” and “terrorists illegally crossing the Mexican border”—but, again, you’d be amazed at who took which position.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It introduces us to a still and serious world, deserted and rigid, without colour, without light, without motion; it does not gladden, does not distract; yet we cannot break away from it.”

— ‘Schweitzer on the THEME from Bach’s “Art of Fugue”’

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