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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Catholic Nun Challenged Reagan As Vice-President … For The Communist Party!

Jeff Ostrowski · September 15, 2014

868 Sung vs Spoken Propers IANE DRUFENBROCK, also known as Sister Madeleine Sophie, was a Franciscan Sister who challenged Ronald Reagan in 1980 as VP candidate for the Socialist Party. She taught mathematics at Alverno College (Wisconsin), which had published the famous Alverno Hymnal during the 1940s. For the record, Sister Drufenbrock also wrote a hymn text called “Going out to spread the light,” which GIA published in their Worship hymnal.

Is Sister Drufenbrock relevant to discussions of Sacred music? Certainly, because her bizarre actions 1 remind us that the 1970s were A VERY STRANGE TIME for the Catholic Church.

We’ve discussed many times the 1970s mystery of “Sung Propers” vs. “Spoken Propers.” Yet, many people still demand to know why this confusion was introduced. I repeat: The 1970s were a very strange era!

WE’VE PREVIOUSLY DISCUSSED how the Jogues Missal is the safest & best way to help your congregation fall in love with authentic liturgy, because it lays out ATTRACTIVELY each Mass Proper & Reading using gorgeous letters. At the same time, we’ve never failed to point out that priests who desire to improve their parish music programs will often face obstacles. These obstacles can seem insurmountable at times, but we have an advantage over the 1970s era: novelty !

Over the years, every possible style of music has been tried at Mass: mariachi, jazz, broadway, rap, and so on. After such rampant experimentation, the introduction of styles mandated by the Second Vatican Council—Gregorian chant, sacred polyphony, dignified organ interludes, etc.—seem novel and fresh, because our congregations lack any experience with them. It reminds me of a Protestant girl I dated in college. Once, she explained to me a new fad certain Protestant ministers were introducing. The fad was called “courting,” and basically meant that fornication was not allowed. Needless to say, “courting” was identical to the Roman Catholic way to date … but Protestants had “repackaged it” as a novelty.



NOTES FROM THIS ARTICLE:

1   Cf. Pope Pius XI: “No one can be at the same time a good Catholic and a true socialist.” (Quadragesimo Anno, §120).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sung Vs Spoken Propers Novus Ordo Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

It is necessary to address Bishop Trautman’s statement that “recent directives of the Congregation aimed at ICEL’s work appear to require a word-for-word, syntax-for-syntax correspondence between the Latin and the English texts.” I am happy to clarify that this certainly is not the intention of the Congregation, since the successful translation of the liturgical texts cannot be achieved by such a wooden mechanism.

— Jorge Cardinal Medina Estévez (13 May 2000)

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