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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Catholic Nun Challenged Reagan As Vice-President … For The Communist Party!

Jeff Ostrowski · September 15, 2014

868 Sung vs Spoken Propers IANE DRUFENBROCK, also known as Sister Madeleine Sophie, was a Franciscan Sister who challenged Ronald Reagan in 1980 as VP candidate for the Socialist Party. She taught mathematics at Alverno College (Wisconsin), which had published the famous Alverno Hymnal during the 1940s. For the record, Sister Drufenbrock also wrote a hymn text called “Going out to spread the light,” which GIA published in their Worship hymnal.

Is Sister Drufenbrock relevant to discussions of Sacred music? Certainly, because her bizarre actions 1 remind us that the 1970s were A VERY STRANGE TIME for the Catholic Church.

We’ve discussed many times the 1970s mystery of “Sung Propers” vs. “Spoken Propers.” Yet, many people still demand to know why this confusion was introduced. I repeat: The 1970s were a very strange era!

WE’VE PREVIOUSLY DISCUSSED how the Jogues Missal is the safest & best way to help your congregation fall in love with authentic liturgy, because it lays out ATTRACTIVELY each Mass Proper & Reading using gorgeous letters. At the same time, we’ve never failed to point out that priests who desire to improve their parish music programs will often face obstacles. These obstacles can seem insurmountable at times, but we have an advantage over the 1970s era: novelty !

Over the years, every possible style of music has been tried at Mass: mariachi, jazz, broadway, rap, and so on. After such rampant experimentation, the introduction of styles mandated by the Second Vatican Council—Gregorian chant, sacred polyphony, dignified organ interludes, etc.—seem novel and fresh, because our congregations lack any experience with them. It reminds me of a Protestant girl I dated in college. Once, she explained to me a new fad certain Protestant ministers were introducing. The fad was called “courting,” and basically meant that fornication was not allowed. Needless to say, “courting” was identical to the Roman Catholic way to date … but Protestants had “repackaged it” as a novelty.



NOTES FROM THIS ARTICLE:

1   Cf. Pope Pius XI: “No one can be at the same time a good Catholic and a true socialist.” (Quadragesimo Anno, §120).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sung Vs Spoken Propers Novus Ordo Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“From the responses received, it is thus clear that by far the greater number of bishops feel that the present discipline [Communion on the tongue and not in the hand] should not be changed at all—indeed, that if it were changed, this would be offensive to the sensibility and spiritual appreciation of these bishops and of most of the faithful.”

— Sacred Congregation for Divine Worship (29 May 1969)

Recent Posts

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  • Music List • (Palm Sunday, 2026)
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  • “Priest Saying Mass” • Medieval Illumination

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