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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Catholic Nun Challenged Reagan As Vice-President … For The Communist Party!

Jeff Ostrowski · September 15, 2014

868 Sung vs Spoken Propers IANE DRUFENBROCK, also known as Sister Madeleine Sophie, was a Franciscan Sister who challenged Ronald Reagan in 1980 as VP candidate for the Socialist Party. She taught mathematics at Alverno College (Wisconsin), which had published the famous Alverno Hymnal during the 1940s. For the record, Sister Drufenbrock also wrote a hymn text called “Going out to spread the light,” which GIA published in their Worship hymnal.

Is Sister Drufenbrock relevant to discussions of Sacred music? Certainly, because her bizarre actions 1 remind us that the 1970s were A VERY STRANGE TIME for the Catholic Church.

We’ve discussed many times the 1970s mystery of “Sung Propers” vs. “Spoken Propers.” Yet, many people still demand to know why this confusion was introduced. I repeat: The 1970s were a very strange era!

WE’VE PREVIOUSLY DISCUSSED how the Jogues Missal is the safest & best way to help your congregation fall in love with authentic liturgy, because it lays out ATTRACTIVELY each Mass Proper & Reading using gorgeous letters. At the same time, we’ve never failed to point out that priests who desire to improve their parish music programs will often face obstacles. These obstacles can seem insurmountable at times, but we have an advantage over the 1970s era: novelty !

Over the years, every possible style of music has been tried at Mass: mariachi, jazz, broadway, rap, and so on. After such rampant experimentation, the introduction of styles mandated by the Second Vatican Council—Gregorian chant, sacred polyphony, dignified organ interludes, etc.—seem novel and fresh, because our congregations lack any experience with them. It reminds me of a Protestant girl I dated in college. Once, she explained to me a new fad certain Protestant ministers were introducing. The fad was called “courting,” and basically meant that fornication was not allowed. Needless to say, “courting” was identical to the Roman Catholic way to date … but Protestants had “repackaged it” as a novelty.



NOTES FROM THIS ARTICLE:

1   Cf. Pope Pius XI: “No one can be at the same time a good Catholic and a true socialist.” (Quadragesimo Anno, §120).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sung Vs Spoken Propers Novus Ordo Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski
    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.