• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Jacqueline Kennedy & The Roman Catholic Liturgy

Jeff Ostrowski · October 20, 2014

755 Jacqueline Jackie Kennedy OON AFTER the assassination of her husband, Jacqueline Kennedy instructed agents to go into special archives and research the funeral of Abraham Lincoln. She wanted JFK’s funeral arrangments to resemble Lincoln’s. Because the lights were controlled by a timer—only turned on during normal business hours—the agents had to use flashlights. (How cool is that?)

But why did Jacqueline Kennedy want the funeral to be modelled after Lincoln’s? Was she acting eccentric, similar to how she insisted upon wearing her blood-stained dress as Lyndon B. Johnson was sworn in on a Roman Catholic Missal? 1

I would suggest that Catholics who grasp the crucial role played by Tradition in our Faith do not require an explanation. Nor is an explanation required for those who understand the reasons behind the Church’s insistence on LITURGICAL TRADITION, like the priest’s vestments which—because they stretch back all the way to the Roman Empire—serve as a constant reminder of our Church’s antiquity.

If Jacqueline were asked why, she’d surely reply: “Traditions are important.”

756 Richard SOME PEOPLE WILL NEVER understand this. Similarly, some people will always mock the ancient ceremonies of the Church. Wagging their fingers, they’ll exclaim: “Why use liturgical torches? Why use candles? Those were used before electric lights were invented.” They’ll continue: “Why use music and prayers from the 6th century? Why perform so many ceremonial actions during the liturgy, such as having the priest intone the Gloria and Creed, or having the subdeacon guard the paten? These actions no longer serve the practical purposes they once did.”

To respond seems pointless. Either you get it, or you don’t. I fear some people never will.

So many fall down and worship modern “oracles” like Wikipedia. If Wikipedia tells them something, they accept it. If Wikipedia disputes it, they reject it. Years ago, such people were called philistines. They mock anything they don’t understand. A case in point is Robert Schumann’s “Sphinxes” from his Carnival, Opus 9. Wikipedia says not to play them, since they’re a secret “code” from Schumann to the performer. (Schumann was a bit strange.) Yet Rachmaninov, in his recording, does something creative with them. Who’s right? I’m sorry, but I’ll take Rachmaninov over Wikipedia any day.

Sometimes it takes considerable effort to come to an appreciation for that which is great. I still can’t believe WLP’s Vice-President attended a Latin Mass JUST ONE TIME and proceeded to draw conclusions. Can you imagine? It’s like someone picking up a Shakespeare play and saying, “Oh, I spent five minutes on it, and I didn’t care for it.” Or, it’s like someone visiting a new country for twenty minutes and saying, “Oh, I spent some time there. I don’t care for that place.”



NOTES FROM THIS ARTICLE:

1   Lyndon B. Johnson was sworn in on a Roman Catholic missal instead of a Bible, since that was all they had available on Air Force One. It was John F. Kennedy’s. (It probably wasn’t the Jogues Illuminated Missal, because that wouldn’t be produced for another five decades.)

By the way, Jackie Kennedy told LBJ’s wife she wore her blood-stained suit because “I want them to see what they have done to Jack.” However, during a truly remarkable audio interview from 1964 (revealed for the first time in 2011) Jackie Kennedy reveals that she thought Lyndon B. Johnson had killed her husband. Was the bloody dress meant to send a message to LBJ? Kennedy had no regrets about refusing to take the blood-stained suit off; her only regret was that she had washed the blood off her face before Johnson was sworn in.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jacqueline Jackie Kennedy Onassis Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • 2-Voice Arrangement for Lent
  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.