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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jacqueline Kennedy & The Roman Catholic Liturgy

Jeff Ostrowski · October 20, 2014

755 Jacqueline Jackie Kennedy OON AFTER the assassination of her husband, Jacqueline Kennedy instructed agents to go into special archives and research the funeral of Abraham Lincoln. She wanted JFK’s funeral arrangments to resemble Lincoln’s. Because the lights were controlled by a timer—only turned on during normal business hours—the agents had to use flashlights. (How cool is that?)

But why did Jacqueline Kennedy want the funeral to be modelled after Lincoln’s? Was she acting eccentric, similar to how she insisted upon wearing her blood-stained dress as Lyndon B. Johnson was sworn in on a Roman Catholic Missal? 1

I would suggest that Catholics who grasp the crucial role played by Tradition in our Faith do not require an explanation. Nor is an explanation required for those who understand the reasons behind the Church’s insistence on LITURGICAL TRADITION, like the priest’s vestments which—because they stretch back all the way to the Roman Empire—serve as a constant reminder of our Church’s antiquity.

If Jacqueline were asked why, she’d surely reply: “Traditions are important.”

756 Richard SOME PEOPLE WILL NEVER understand this. Similarly, some people will always mock the ancient ceremonies of the Church. Wagging their fingers, they’ll exclaim: “Why use liturgical torches? Why use candles? Those were used before electric lights were invented.” They’ll continue: “Why use music and prayers from the 6th century? Why perform so many ceremonial actions during the liturgy, such as having the priest intone the Gloria and Creed, or having the subdeacon guard the paten? These actions no longer serve the practical purposes they once did.”

To respond seems pointless. Either you get it, or you don’t. I fear some people never will.

So many fall down and worship modern “oracles” like Wikipedia. If Wikipedia tells them something, they accept it. If Wikipedia disputes it, they reject it. Years ago, such people were called philistines. They mock anything they don’t understand. A case in point is Robert Schumann’s “Sphinxes” from his Carnival, Opus 9. Wikipedia says not to play them, since they’re a secret “code” from Schumann to the performer. (Schumann was a bit strange.) Yet Rachmaninov, in his recording, does something creative with them. Who’s right? I’m sorry, but I’ll take Rachmaninov over Wikipedia any day.

Sometimes it takes considerable effort to come to an appreciation for that which is great. I still can’t believe WLP’s Vice-President attended a Latin Mass JUST ONE TIME and proceeded to draw conclusions. Can you imagine? It’s like someone picking up a Shakespeare play and saying, “Oh, I spent five minutes on it, and I didn’t care for it.” Or, it’s like someone visiting a new country for twenty minutes and saying, “Oh, I spent some time there. I don’t care for that place.”



NOTES FROM THIS ARTICLE:

1   Lyndon B. Johnson was sworn in on a Roman Catholic missal instead of a Bible, since that was all they had available on Air Force One. It was John F. Kennedy’s. (It probably wasn’t the Jogues Illuminated Missal, because that wouldn’t be produced for another five decades.)

By the way, Jackie Kennedy told LBJ’s wife she wore her blood-stained suit because “I want them to see what they have done to Jack.” However, during a truly remarkable audio interview from 1964 (revealed for the first time in 2011) Jackie Kennedy reveals that she thought Lyndon B. Johnson had killed her husband. Was the bloody dress meant to send a message to LBJ? Kennedy had no regrets about refusing to take the blood-stained suit off; her only regret was that she had washed the blood off her face before Johnson was sworn in.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jacqueline Jackie Kennedy Onassis Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

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