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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Authentic Sacred Music Programs & King Of The Hill

Jeff Ostrowski · November 17, 2014

677 Hill HEN WE STOP and consider Catholic churches with excellent music programs—and there are a good number in the United States—it is clear that what they’re engaged in is radically different from the “average” Catholic parish. Recently, my family attended Mass at a Church with a great priest. The pews were packed with good people and the homily was excellent, but the music can only be described as a “Country Music Fest.” I’m sure many Catholics approach the Pastor in a parish with authentic Sacred music asking: “How come you don’t use pleasant, easy listening music like the parish where I grew up?”

Not too long ago, something dawned on me. In all the years I lived in Texas, the Catholic Church did practically nothing to help our marriage. We had to figure out everything by ourselves and did a lot of reading. The priest who prepared us for marriage gave us a 50-minute video to watch—and that was it!  What’s truly shocking is to consider how little support my parents were given for their marriage, yet they persevered and followed all the teachings of the Church.

When priests who sacrifice greatly to have an authentic Sacred music program are asked why they don’t just “give in” and allow secular styles of music (like the vast majority of USA parishes) they would probably give an answer identical to the one my parents might give: “How could we do anything else?”

I DON’T KNOW WHETHER our readers know the cartoon King of the Hill, but it chronicles the life of Hank Hill and his three friends. Hank is the only one who has a “normal” marriage. Dale Gribble’s wife is unfaithful to him. Bill Dauterive’s wife left him long ago and he misses her tremendously. Boomhauer has no wife, but commits fornication practically every night.

When we’re honest, we have to admit that King of the Hill portrays an accurate picture of society. A good marriage is rare, because we human beings—all of us—are fallen and sinful.

Therefore, it really doesn’t matter what “everyone else” is doing. We’re called to discover Christ and conform our lives to His teachings. What “everyone else” is doing is irrelevant. Fulton Sheen once said that God allows the Catholic Church to have sinful and imperfect people inside it because otherwise we—who are great sinners—would be too embarrassed and ashamed to seek membership!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

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