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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Authentic Sacred Music Programs & King Of The Hill

Jeff Ostrowski · November 17, 2014

677 Hill HEN WE STOP and consider Catholic churches with excellent music programs—and there are a good number in the United States—it is clear that what they’re engaged in is radically different from the “average” Catholic parish. Recently, my family attended Mass at a Church with a great priest. The pews were packed with good people and the homily was excellent, but the music can only be described as a “Country Music Fest.” I’m sure many Catholics approach the Pastor in a parish with authentic Sacred music asking: “How come you don’t use pleasant, easy listening music like the parish where I grew up?”

Not too long ago, something dawned on me. In all the years I lived in Texas, the Catholic Church did practically nothing to help our marriage. We had to figure out everything by ourselves and did a lot of reading. The priest who prepared us for marriage gave us a 50-minute video to watch—and that was it!  What’s truly shocking is to consider how little support my parents were given for their marriage, yet they persevered and followed all the teachings of the Church.

When priests who sacrifice greatly to have an authentic Sacred music program are asked why they don’t just “give in” and allow secular styles of music (like the vast majority of USA parishes) they would probably give an answer identical to the one my parents might give: “How could we do anything else?”

I DON’T KNOW WHETHER our readers know the cartoon King of the Hill, but it chronicles the life of Hank Hill and his three friends. Hank is the only one who has a “normal” marriage. Dale Gribble’s wife is unfaithful to him. Bill Dauterive’s wife left him long ago and he misses her tremendously. Boomhauer has no wife, but commits fornication practically every night.

When we’re honest, we have to admit that King of the Hill portrays an accurate picture of society. A good marriage is rare, because we human beings—all of us—are fallen and sinful.

Therefore, it really doesn’t matter what “everyone else” is doing. We’re called to discover Christ and conform our lives to His teachings. What “everyone else” is doing is irrelevant. Fulton Sheen once said that God allows the Catholic Church to have sinful and imperfect people inside it because otherwise we—who are great sinners—would be too embarrassed and ashamed to seek membership!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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