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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Authentic Sacred Music Programs & King Of The Hill

Jeff Ostrowski · November 17, 2014

677 Hill HEN WE STOP and consider Catholic churches with excellent music programs—and there are a good number in the United States—it is clear that what they’re engaged in is radically different from the “average” Catholic parish. Recently, my family attended Mass at a Church with a great priest. The pews were packed with good people and the homily was excellent, but the music can only be described as a “Country Music Fest.” I’m sure many Catholics approach the Pastor in a parish with authentic Sacred music asking: “How come you don’t use pleasant, easy listening music like the parish where I grew up?”

Not too long ago, something dawned on me. In all the years I lived in Texas, the Catholic Church did practically nothing to help our marriage. We had to figure out everything by ourselves and did a lot of reading. The priest who prepared us for marriage gave us a 50-minute video to watch—and that was it!  What’s truly shocking is to consider how little support my parents were given for their marriage, yet they persevered and followed all the teachings of the Church.

When priests who sacrifice greatly to have an authentic Sacred music program are asked why they don’t just “give in” and allow secular styles of music (like the vast majority of USA parishes) they would probably give an answer identical to the one my parents might give: “How could we do anything else?”

I DON’T KNOW WHETHER our readers know the cartoon King of the Hill, but it chronicles the life of Hank Hill and his three friends. Hank is the only one who has a “normal” marriage. Dale Gribble’s wife is unfaithful to him. Bill Dauterive’s wife left him long ago and he misses her tremendously. Boomhauer has no wife, but commits fornication practically every night.

When we’re honest, we have to admit that King of the Hill portrays an accurate picture of society. A good marriage is rare, because we human beings—all of us—are fallen and sinful.

Therefore, it really doesn’t matter what “everyone else” is doing. We’re called to discover Christ and conform our lives to His teachings. What “everyone else” is doing is irrelevant. Fulton Sheen once said that God allows the Catholic Church to have sinful and imperfect people inside it because otherwise we—who are great sinners—would be too embarrassed and ashamed to seek membership!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“As often as possible they gathered together the children of the village and sat them down in the cabin. Father Brébeuf would put on a surplice and biretta and chant the Our Father, which Father Daniel had translated into Huron rhymes, and the children would chant it after him. Next, he taught them the sign of the cross, the Hail Mary, the Apostles’ Creed, and the Commandments.”

— Biography of St. Jean de Brébeuf

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  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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