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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An Unexplained Problem

Jeff Ostrowski · May 9, 2014

524 B16 URING THE EASTER VIGIL, after the 7th Reading (when there are no Baptisms) two possible options are given. There is nothing to indicate that one option should be preferred.

Notice that one option is identical to the Responsorial Psalm sung after the 5th Reading:

R. (3) You will draw water joyfully from the springs of salvation.
Is. 12:2-3, 4, 5-6 — God indeed is my savior …

R. (12a) Create a clean heart in me, O God.
Ps. 51:12-13, 14-15, 18-19 — A clean heart create for me, O God …

Music directors often choose the 2nd option to avoid repeating the same Responsorial Psalm that has already been sung after the 5th Reading.

Can anyone explain why the same Responsorial Psalm was assigned after the 5th and 7th readings? I’m not sure there’s another Mass like this. I know that the Offertory & Communion for the 1st Sunday of Lent are practically identical, but the musical setting is completely different.

Any thoughts? Let me know in the combox.

THE ANSWER COMES FROM STEVEN VAN ROODE:

The remarkable thing here is not so much that one of the options given already appeared after the fifth reading, but that the English translation of the Lectionary gets the rubric wrong!

The Latin reads, after listing Ps 41 as the responsorial psalm for the seventh reading: “Vel, quando celebratur Baptisma, Is 12 ut supra (post lectionem n. 5), vel etiam Ps 50…”

So, according to the Latin typical edition, Ps 41 ‘Like a deer’ is always sung after the seventh reading, except when there are Baptisms, when also Is 12 ‘You will draw water’ or Ps 51 ‘Create a clean heart’ may be chosen. The English however reverses the condition to choose the options: “When Baptism is NOT celebrated”!

The reasoning of the Latin rubric makes much more sense to me: when there are Baptisms and the fifth reading wasn’t used (yes, that’s possible), Is 12 can be chosen as responsorial psalm because of its clear Baptism theme. If the fifth reading was used and so Is 12 was already sung, Ps 51 can be chosen, which is also related to Baptism.

Holy Saturday Responsorial Psalms for Ordinary Form

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Identical Responsorial Psalm Easter Vigil, Lectionary Error Typo Last Updated: March 31, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The chapter orders that only grandees (and their immediate relatives), counts, marquises, and provincial governors may in future enter the choir enclosure during divine service: such a restriction being imposed so that quiet can be the better maintained during cathedral solemnities.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (25 May 1558)

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