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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An Unexplained Problem

Jeff Ostrowski · May 9, 2014

524 B16 URING THE EASTER VIGIL, after the 7th Reading (when there are no Baptisms) two possible options are given. There is nothing to indicate that one option should be preferred.

Notice that one option is identical to the Responsorial Psalm sung after the 5th Reading:

R. (3) You will draw water joyfully from the springs of salvation.
Is. 12:2-3, 4, 5-6 — God indeed is my savior …

R. (12a) Create a clean heart in me, O God.
Ps. 51:12-13, 14-15, 18-19 — A clean heart create for me, O God …

Music directors often choose the 2nd option to avoid repeating the same Responsorial Psalm that has already been sung after the 5th Reading.

Can anyone explain why the same Responsorial Psalm was assigned after the 5th and 7th readings? I’m not sure there’s another Mass like this. I know that the Offertory & Communion for the 1st Sunday of Lent are practically identical, but the musical setting is completely different.

Any thoughts? Let me know in the combox.

THE ANSWER COMES FROM STEVEN VAN ROODE:

The remarkable thing here is not so much that one of the options given already appeared after the fifth reading, but that the English translation of the Lectionary gets the rubric wrong!

The Latin reads, after listing Ps 41 as the responsorial psalm for the seventh reading: “Vel, quando celebratur Baptisma, Is 12 ut supra (post lectionem n. 5), vel etiam Ps 50…”

So, according to the Latin typical edition, Ps 41 ‘Like a deer’ is always sung after the seventh reading, except when there are Baptisms, when also Is 12 ‘You will draw water’ or Ps 51 ‘Create a clean heart’ may be chosen. The English however reverses the condition to choose the options: “When Baptism is NOT celebrated”!

The reasoning of the Latin rubric makes much more sense to me: when there are Baptisms and the fifth reading wasn’t used (yes, that’s possible), Is 12 can be chosen as responsorial psalm because of its clear Baptism theme. If the fifth reading was used and so Is 12 was already sung, Ps 51 can be chosen, which is also related to Baptism.

Holy Saturday Responsorial Psalms for Ordinary Form

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Identical Responsorial Psalm Easter Vigil, Lectionary Error Typo Last Updated: March 31, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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