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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Parish May Crownings

Fr. David Friel · May 4, 2014

RE YOU INVOLVED in your parish May Crowning? Planning for such festivities falls to a variety of people in different parishes and institutions. In some places, the event is planned directly by the local clergy, while in other places it is the purview of a liturgy planner, youth group, volunteer parent, or music director.

Many devotions fell out of favor for a time—Forty Hours, the rosary, novenas, etc. Mercifully, many of these devotions, including the May Crowning, have made and continue to make a strong resurgence. The May Crowning is a beautiful yearly opportunity to renew our love for Mary and to enlist her prayers. A strong devotional life in the parish church will naturally support and strengthen its liturgical vitality.

In most situations, preparations for this beloved annual tradition probably begin with a familiar question: What did we do last year? Since the May Crowning is a devotion with no specific, mandated form, that question is a fair place to begin. Some elements are widely incorporated: the presentation of a crown of roses by a selected lady, May poles, prayers seeking Mary’s protection, and hymns sung in honor of the Blessed Virgin. Inasmuch as a May Crowning is not a liturgical occasion, there is great freedom concerning what might constitute the ceremony. There can be songs, flowers, processions, a children’s choir, a litany, a sermon, and other celebratory components.

The National Conference of Catholic Bishops (NCCB) published a special volume in 1987, entitled, Order of Crowning an Image of the Blessed Virgin Mary. The title of this document can be misleading. Its purpose is not actually to provide a script for the May Crowning devotion, but rather to furnish a ritual for the one-time coronation of a special Marian statue with a bejeweled gold or silver crown. Ideally, the document envisions that this rite would be carried out by the diocesan bishop, or at least by another deputed bishop or priest.

Although the Order of Crowning an Image of the Blessed Virgin Mary does not specifically apply to the annual May Crowning ceremony, it may still serve as a useful resource in planning the yearly parish celebration of Mary. The structure of the rite, and even some of the prayers, readings, & intercessions provided, can serve as a starting point for formulating a parish May Crowning ceremony.

Not least among the many aspects of a good May Crowning is the musical dimension. The Order of Crowning suggests the singing of antiphons and hymns, including several Marian chants: Salve Regina, Sub Tuum Praesidium, Ave, Regina Caelorum, Alma Redemptoris Mater, Regina Caeli. American Catholics have a notably strong tradition of vernacular Marian hymns, too, which might well accompany the annual celebration.

Building up devotional celebrations and celebrating them well is an easy way for the parish church to foster greater love among its parishioners for Jesus, Mary, the Eucharist, and the Church universal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Although the Mass contains much instruction for the faithful, it has nevertheless not seemed expedient to the fathers that it be celebrated everywhere in the vernacular. The holy synod commands pastors and everyone who has the care of souls to explain frequently during the celebration of the Masses, either themselves or through others, some of the things that are read in the Mass, and among other things to expound some mystery of this most Holy Sacrifice, especially on Sundays and feastdays.”

— ‘Council of Trent, XII:8 (1562)’

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