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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Parish May Crownings

Fr. David Friel · May 4, 2014

RE YOU INVOLVED in your parish May Crowning? Planning for such festivities falls to a variety of people in different parishes and institutions. In some places, the event is planned directly by the local clergy, while in other places it is the purview of a liturgy planner, youth group, volunteer parent, or music director.

Many devotions fell out of favor for a time—Forty Hours, the rosary, novenas, etc. Mercifully, many of these devotions, including the May Crowning, have made and continue to make a strong resurgence. The May Crowning is a beautiful yearly opportunity to renew our love for Mary and to enlist her prayers. A strong devotional life in the parish church will naturally support and strengthen its liturgical vitality.

In most situations, preparations for this beloved annual tradition probably begin with a familiar question: What did we do last year? Since the May Crowning is a devotion with no specific, mandated form, that question is a fair place to begin. Some elements are widely incorporated: the presentation of a crown of roses by a selected lady, May poles, prayers seeking Mary’s protection, and hymns sung in honor of the Blessed Virgin. Inasmuch as a May Crowning is not a liturgical occasion, there is great freedom concerning what might constitute the ceremony. There can be songs, flowers, processions, a children’s choir, a litany, a sermon, and other celebratory components.

The National Conference of Catholic Bishops (NCCB) published a special volume in 1987, entitled, Order of Crowning an Image of the Blessed Virgin Mary. The title of this document can be misleading. Its purpose is not actually to provide a script for the May Crowning devotion, but rather to furnish a ritual for the one-time coronation of a special Marian statue with a bejeweled gold or silver crown. Ideally, the document envisions that this rite would be carried out by the diocesan bishop, or at least by another deputed bishop or priest.

Although the Order of Crowning an Image of the Blessed Virgin Mary does not specifically apply to the annual May Crowning ceremony, it may still serve as a useful resource in planning the yearly parish celebration of Mary. The structure of the rite, and even some of the prayers, readings, & intercessions provided, can serve as a starting point for formulating a parish May Crowning ceremony.

Not least among the many aspects of a good May Crowning is the musical dimension. The Order of Crowning suggests the singing of antiphons and hymns, including several Marian chants: Salve Regina, Sub Tuum Praesidium, Ave, Regina Caelorum, Alma Redemptoris Mater, Regina Caeli. American Catholics have a notably strong tradition of vernacular Marian hymns, too, which might well accompany the annual celebration.

Building up devotional celebrations and celebrating them well is an easy way for the parish church to foster greater love among its parishioners for Jesus, Mary, the Eucharist, and the Church universal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

[on Latin] “No change in Mass: people have missals and can read. More vernacular can be useful in the Sacraments: Baptism, Confirmation, Extreme Unction, Matrimony.”

— Cardinal Spellman (one of the Vatican II fathers)

Recent Posts

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  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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