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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Would you know my name if I saw you in heaven?

Jeff Ostrowski · May 15, 2014

514 hap E HARDLY EVER engage in “navel-gazing” on this blog, mainly because there’s so much work to be done!

But there’s another reason. Sometimes there’s too much to say. And because there is too much to say, sometimes we don’t say anything.

For example, if I were to list all the people who inspire me, none of you would read it, because it would be so long. I’d probably start with my wife, children, parents, brother in the seminary … well, you get the idea!

BUT TODAY I WANTED TO SAY how much inspiration I draw from … you!

Each week, we receive so many letters from all over the world. So many generous, holy people trying to make sure the Liturgy is how God wants it. It truly is humbling to read of the sacrifices some of you make. Thank you for your service to the Holy Catholic Church!

I wanted to quote a song, but I can’t remember the lyrics. 1 I’m so irritated that I’ve forgotten it. Basically, the song was about a man who regrets not telling a family member how much he loved him (her?), but it’s too late because that person is dead. Oh, well. I’m sure I’ll remember some day.

Since I cannot remember that song, I’ll share another one, quite moving, IMHO:

Would you know my name
If I saw you in heaven?
Would it be the same
If I saw you in heaven?
I must be strong and carry on
‘Cause I know I don’t belong here in heaven.

I believe that song was written to a child who died: how terrible is that? How painful is that? Wow.

Friends, I understand fully the difficulties that stand in the way of a Church musician in the year 2014. As my mentor always said, “The life of a Church musician is a life of sacrifice.” Sometimes the difficulties seem insurmountable. At Watershed, we try to assist your work, but only God can ultimately fix everything.

I believe that holy and reverent liturgies are making a comeback. This is because people are looking for what is BEST and HOLIEST, not simply what’s “allowed.” An ever-present danger is the particular sensibility of musicians. Musicians tend to fight with one another over the DUMBEST things. I once knew a musician who stormed out after Mass because the tempo of a hymn was “wrong” in his view. I’ve written about this before:

      * *  More unites us than divides us!



NOTES FROM THIS ARTICLE:

1   I have pretty much every song written in the 1970s and 1980s memorized, because my father listened to those songs.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday—1 March 2026—the 2nd Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the flourishing feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Particularly Beautiful
    The 2nd Sunday of Lent has magnificent propers. Its INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

Recent Posts

  • Music List • (2nd Sunday of Lent)
  • Particularly Beautiful
  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
  • Which Mass?

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