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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Value of Tradition

Fr. David Friel · March 2, 2014

HERE’S A WOMAN I KNOW who is a terrific lady. She works hard, loves her family, and practices her faith wholeheartedly. Folks who know her well would describe her as pleasant, affable, and compassionate. She’s a devoted wife, loving mother, and true disciple.

As good a person as she is, she has little love for anything in the Church that she perceives to be antiquarian, old-fashioned, or traditional. She is decidedly post-Vatican II. This woman said something to me once that really caused me to think.

What she said was this: “You can’t go back to a time you never experienced.”

The manner in which she uttered this sentence seemed almost like a dogmatic proclamation. What prompted her to make this comment was nothing that I had done or said; rather, it was a response to some particular vesture she had observed a traditional priest at her parish wearing. The woman doesn’t know me well enough to know what I might think about that, so I believe her proclamation was made in a moment of great honesty.

I remain unsettled by this declaration. While, on the surface, I agree with the basic content of what she said, I find myself disagreeing with the sentiment that surrounds it. First, does an affinity for traditional things necessarily mean a desire to go back in time? I don’t think it does. Tradition in the Church refers not to a backwards-looking, stationary position, but to the ongoing process that hands on the deposit of faith and brings it to life here and now. Tradition in the Church is not about time travel, but about continuity.

Secondly, what is the value of the “experience” she mentions? Has the history of everything that happened before 1965 been closed for review to all those born thereafter? If her statement were true, then we could not celebrate the Mass. We certainly could not have Summorum Pontificum. Nor could we baptize or anoint or absolve. The logical conclusion of her statement is a complete rejection of heritage and tradition.

So many Catholics who lived through the tumultuous times before and after the Second Vatican Council have an ingrained aversion to their earlier experience. They often idolize the era immediately following the Council as the ideal. The cause of this knee-jerk reaction cannot easily be discerned or explained, but it is easily observable. Just bust out a biretta or cassock or cope, and see how the baby boomers react.

All of this caused me to think of my own proclamation: “You cannot fairly evaluate the times you have lived through.” I wonder if this is a fair statement. My old history professor used to say, “Everything in the last 50 years is just current events.” In other words, historians wait at least half a century before evaluating events as history. Anything sooner is too soon.

Does this woman, who lived through some of the pre-conciliar period and through the reforms, have an advantage because of her experience? Or does the advantage actually fall to those who came along later and who are therefore freer to evaluate impartially? I’m not sure how I would answer that question, but I think it is a question worth asking.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform, Summorum Pontificum, Traditional Catholic Vestments Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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