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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1970s Theology Has Affected The Celebration Of Mass

Jeff Ostrowski · March 11, 2014

743 Leisure Suit Composer David Haas wrote the following in 2002:

“Acclamations … help empower and form the assembly as co-celebrants in the liturgy.”

Father Edward Foley wrote in 1998:

“The associate formerly said Mass, but now this redefined parochial vicar and member of the Parish Ministry Staff presides at the eucharist at which the assembly is the principal celebrant.”

Composer Marty Haugen wrote in 1984:

“With the advent of post-Vatican II liturgies, the assembly was given a new mandate and opportunity — to rediscover and express its integral importance as the primary minister of the Sunday eucharistic experience.”

Father Eugene Walsh, a seminary professor in Baltimore and principal author of The Place of Music in Eucharistic Celebrations, wrote in the 1970s:

“The entire parish assembly, therefore, is celebrant of the eucharist. The presider is simply the leader of the assembly. As leader, his task is to engage the assembly in the eucharistic prayer.”

Whence cometh such theological notions?

A good place to search might be this stupefying tome of PDF documents:

      * *  NPM Magazine Archive — (1970s and more)

It would take several decades to quote and explain those articles, so I won’t try. However, here’s a fairly good “sample” of what’s there:

      * *  “First, the Assembly Gathers” — Article by Fr. Eugene Walsh (1982)

Reading that article, you’ll find quotes like:

The most important thing that people can do at a parish Sunday Mass is to take the trouble to gather with each other.   [ … ]   The parish assembly is the first and primary minister of the parish Sunday Mass.   [ … ]   The full, life-giving sacramental sign of eucharist is the parish assembly.

Dull and feeble and half-hearted sacraments are not life-giving. In fact there comes a point where they begin to be death-dealing.

The first task of all specially designated ministers [i.e. priests and deacons] is to serve the assembly. Their conscious and deliberate target is to help the assembly bring itself to life …

Feel free to let me know your reactions to that article by Fr. Eugene Walsh. I found it shocking … and quickly phoned my spiritual advisor for counseling!   (Not kidding.)


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fr Eugene Walsh Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

Recent Posts

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  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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