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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

First Time Attending A Novus Ordo Mass

Jeff Ostrowski · June 26, 2014

336 Eagle ROWING UP, I attended a “typical” Catholic school of the 1990s, where the wacky theories of the time were taught. For example, our religion teacher said Adam & Eve never really existed, but were probably some form of evolving animal. Another teacher said God is certainly not omniscient, but does possess “a general idea how things will turn out in the end.”

Songs like Anthem (Tom Conry) and Sing A Simple Song Unto The Lord reigned supreme during Mass, and we were forced to do hand motions. Even though I was very young, I’ll never forget a comment uttered by the lady in charge of playing the piano for Mass: “I’m having a hard time finding Communion songs in this hymnal.” Our hymnal was Glory & Praise: the one with the bizarre Flying Eagle Picture.

When my parents couldn’t take it anymore, we sought out the Extraordinary Form, even though that required driving long distances. I attended the EF exclusively for a number of years and learned to especially cherish the quiet, peaceful, low Masses (even though I’m probably not supposed to admit that).

WHEN I RETURNED TO THE NOVUS ORDO, the priest would read some random-sounding verse at the beginning of Mass and at Communion. This was before the New Translation, and the language often struck me as pedestrian, as one might address a man on the street. (Cardinal Burke has said the language sounded “juvenile.”) I failed to realize these were the ENTRANCE and COMMUNION antiphons assigned to each Mass.

Why didn’t I realize this? Because I’m ignorant? Yes, I am ignorant — but maybe it would have been easier with a book like the JOGUES MISSAL, which clearly shows each member of the congregation what these antiphons are all about. Here’s an example:

      * *  Sample Page (PDF) — from the Jogues Illuminated Missal

Because there is no official translation of the Graduale Romanum, we chose a dignified-yet-modern translation done by Solesmes Abbey in the 1990s — the same translation used in publications like the Simple English Propers (CMAA, 2011). If you download the PDF version of the 1965 Missal, you’ll notice that the Solesmes translations are extremely similar. For example:

      * *  Comparison (PDF) — Between 1965 Missal & Jogues Missal

To view a fascinating version from 1806 — very similar to our translation — click here.

How wonderful it is to become familiar with these antiphons! Here’s the one for the 2nd Sunday of Advent — how lovely!

EOPLE OF SION, BEHOLD the Lord shall come to save the nations; and the Lord shall make the glory of his voice to be heard, in the joy of your heart.
(Ps 79:2)   O shepherd of lsrael, hearken, O guide of the flock of Joseph!
V. Glory be to the Father.   Repeat: People of Sion.

Doesn’t that just scream Advent?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

There is a lack of that kind of organization which favors mature judgment. Move on, move on, get it out. Schemata are multiplied without ever arriving at a considered form. The system of discussion is bad … Often the schemata arrive just before the discussions. Sometimes, and in important matters, such as the new anaphoras, the schema was distributed the evening before the discussion was to take place … Father Bugnini has only one interest: press ahead and finish.

— Cardinal Antonelli (Peritus during the Second Vatican Council)

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