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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A 1969 Quote Bugnini Wishes He Could Retract

Jeff Ostrowski · July 8, 2014

288 Bugnini Here’s a 1969 quote by Archbishop Bugnini (responding to criticism by an eminent historian whose specialty was the Council of Trent):

S A GOOD HISTORIAN who knows how to weigh both sides and reach a balanced judgment, why did you not mention the millions and hundreds of millions of the faithful who have at last achieved worship in spirit and in truth? Who can at last pray to God in their own languages and not in meaningless sounds, and are happy that henceforth they know what they are saying? Are they not “the Church?”

As for the “bond of unity”: Do you believe the Church has no other ways of securing unity? Do you believe there is a deep and heartfelt unity amid lack of understanding, ignorance, and the “dark of night” of a worship that lacks a face and light, at least for those out in the nave? Do you not think that a priestly pastor must seek and foster the unity of his flock—and thereby of the universal flock—through a living faith that is fed by the rites and finds expression in song, in communion of minds, in love that animates the Eucharist, in conscious participation, and in entrance into the mystery? Unity of language is superficial and fictitious; the other kind of unity is vital and profound … Here in the Consilium we are not working for museums and archives, but for the spiritual life of the people of God … The present renewal of the Church is serious, solid, thoroughgoing, and safe [Bugnini’s italics] even if it also brings suffering and opposition … Do you not think, Professor, that historians too ought to search historical events and discover signs of God in them?

What’s even more troubling than Bugnini’s polemical and bitter tone is the substance. For example, consider his bizarre assertion that Catholics could not worship God for almost 1600 years. Furthermore, he claims not to be working for “for museums and archives,” yet a major goal of his was returning to a more “pristine” age of the Church and the elimination of “accretions” that developed over many centuries.

As time goes on, I hope to speak about this quotation, but I must be careful. You see, there’s tons more stuff like this in Bugnini’s book, and providing a full critique would take centuries…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: June 4, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

Recent Posts

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  • “Equal Voices” Choir Pieces
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