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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Like Eve in the Garden

Guest Author · July 23, 2014

225 Novus Ordo HEN I RECEIVED my copy of the St. Isaac Jogues Missal in the mail and opened it up, I couldn’t help but think about Eve’s encounter with that enticing fruit that was good for food, pleasing to the eyes, and desirable for gaining wisdom. Unlike that ancient story, though, the fruit in my hands was not forbidden but simply forgotten.

Before me was a work that was pleasant simply to hold in my hands, but what I found inside was even more beautiful. For years there has been discussion about a reform of the reform of the Sacred Liturgy, but with the arrival of the Jogues Missal, I suggest that we can begin to make real strides for three reasons.

IRST, it is beautiful. We all know that first impressions matter, but publishers often fail to employ that wisdom in liturgical texts. Such is not the case here. The text size and font make it attractive and easy to read. The full-page artwork and smaller works sprinkled throughout catch the eye and edify the spirit. And the Order of the Mass explains in word and image the glory of the Holy Sacrifice. In short, the missal imitates well the Beauty that lies before us.

ECOND, it permits options. We’ve been optioned to death these last fifty years, but these options are welcome ones. A choice between the Gradual or Responsorial Psalm and Gospel Acclamation or Ancient Alleluia, as well as the inclusion of the Mass Propers and Sequences, make this missal usable at any parish, whether they are thinking about the reform for the first time or have been working at it for many years.

INALLY, it is a work of love. The DIY liturgies and disposable missalettes have seen the Sacred Liturgy and written Word abused and devalued, but the Jogues Missal seeks to honor them both. Designed to last for years, it calls to mind the enduring nature of the Sacred Liturgy and the attention to details speaks volumes of the publishers’ desire to glorify the Lord and help others encounter Him in Holy Mass.

Of the many gifts given to the Church by her members in recent years, this one is especially needed today. May we soon see it widely used, all for the greater glory of God!

St. Isaac Jogues, pray for us!


We hope you enjoyed this guest article by Fr. Brent Maher.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jogues Illuminated Missal Lectionary Gradual Last Updated: January 1, 2020

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President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Chants closely related to the readings should, of course, be appropriately transferred for use with these readings. For pastoral reasons also there is an option regarding the chants for the Proper of Seasons: namely, as circumstances suggest, to replace the text proper to a day with another text belonging to the same season.”

— Ordo Cantus Missae (1971)

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