Views from the Choir Loft

Like Eve in the Garden

Guest Author · July 23, 2014

HEN I RECEIVED my copy of the St. Isaac Jogues Missal in the mail and opened it up, I couldn’t help but think about Eve’s encounter with that enticing fruit that was good for food, pleasing to the eyes, and desirable for gaining wisdom. Unlike that ancient story, though, the fruit in my hands was not forbidden but simply forgotten.

Before me was a work that was pleasant simply to hold in my hands, but what I found inside was even more beautiful. For years there has been discussion about a reform of the reform of the Sacred Liturgy, but with the arrival of the Jogues Missal, I suggest that we can begin to make real strides for three reasons.

IRST, it is beautiful. We all know that first impressions matter, but publishers often fail to employ that wisdom in liturgical texts. Such is not the case here. The text size and font make it attractive and easy to read. The full-page artwork and smaller works sprinkled throughout catch the eye and edify the spirit. And the Order of the Mass explains in word and image the glory of the Holy Sacrifice. In short, the missal imitates well the Beauty that lies before us.

ECOND, it permits options. We’ve been optioned to death these last fifty years, but these options are welcome ones. A choice between the Gradual or Responsorial Psalm and Gospel Acclamation or Ancient Alleluia, as well as the inclusion of the Mass Propers and Sequences, make this missal usable at any parish, whether they are thinking about the reform for the first time or have been working at it for many years.

INALLY, it is a work of love. The DIY liturgies and disposable missalettes have seen the Sacred Liturgy and written Word abused and devalued, but the Jogues Missal seeks to honor them both. Designed to last for years, it calls to mind the enduring nature of the Sacred Liturgy and the attention to details speaks volumes of the publishers’ desire to glorify the Lord and help others encounter Him in Holy Mass.

Of the many gifts given to the Church by her members in recent years, this one is especially needed today. May we soon see it widely used, all for the greater glory of God!

St. Isaac Jogues, pray for us!

We hope you enjoyed this guest article by Fr. Brent Maher.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

“Samaritánæ” (3rd Sunday of Lent)

With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

PDF • “Cantus Mariales” (192 pages)

Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski