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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

WLP Vice President Mentions The Jogues Missal (Without Realizing It)

Jeff Ostrowski · July 14, 2014

285 Jerry Galipeau S FAR AS I can tell, Dr. Jerry Galipeau is a sincere and caring person. However, I’m not a huge fan of his blog. You see, each Thursday, Dr. Galipeau attempts to prove that the new Roman Missal is too difficult for average Catholics to understand. I’ve never had any trouble understanding the new prayers (which are more accurate translations), so I don’t frequent his blog.

Some time ago, a CMAA forum member posted an article by Dr. Galipeau, who described his first time attending the Traditional Latin Mass. Here are some excerpts from his article:

I LEFT THAT MASS quite perplexed. It left me empty and full of questions. […] As I looked around that church yesterday, I wondered how the pre-conciliar rite had “become dear” to these people.

I have a Catholic voice; I have a Catholic heart; I have Catholic vocal chords ready to sing God’s praise. Unfortunately, yesterday’s experience of the extraordinary form of the Mass never engaged this Catholic. […] I am desperately trying to understand how what I experienced yesterday is not a separate rite, but instead, as Pope Benedict said, another version of the same rite.

I have fantastic news for Dr. Galipeau!

His questions will be answered if he obtains a copy of the Jogues Illuminated Missal. This book has full-color reproductions of ancient Catholic manuscripts, going all the way back to the 7th century, placed alongside the Ordinary Form of the Mass. 1 In other words, it clearly and powerfully demonstrates that the core of the Novus Ordo Missal goes back more than 1,000 years. As an added bonus, the various manuscripts—Agnus Dei, Canon of the Mass, and so forth—are fascinating to behold!

I WOULD ALSO LIKE to share with Dr. Galipeau something my father taught me: Don’t judge something after having experienced it for a brief period of time only.

The most wonderful things in life take years to begin to appreciate. Would it not be a tragedy for a young person to listen to 5 seconds of Chopin and declare his music boring? For that matter, what would we think of a man who walked into the Church and departed after 15 seconds, declaring that Christianity has little to offer?

The most magnificent composers—J.S. Bach, Morales, Victoria, and the rest—require years of careful listening before they begin to reveal their depth and greatness. The same is true of the Traditional Latin Mass, except that the sacred liturgy is infinitely more important than great music.



NOTES FROM THIS ARTICLE:

1   The Jogues Missal is also the first postconciliar book to contain the complete Propers in English and Latin for the Ordinary Form of the Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dr Jerry Galipeau WLP, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

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