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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Homily: 15th Sunday in Ordinary Time (Year A)

Guest Author · July 13, 2014

ODAY’S GOSEPL PARABLE is one of the few parables that Jesus actually explained. But it seems He only explained it to his disciples or closer followers later on. And then He gives a rather mysterious reason why He is explaining it to them and not to the general public. Different commentators have different explanations and opinions about this. I prefer just to dwell on the topic of hearing the word of God.

If one attends Mass regularly, one certainly hears an abundance of the Word of God. Every Sunday there are three different Readings, one from the Old Testament which is in some way or other tied in with the reading from one of the Gospels. Then there is a selection from one of the Epistles or other New Testament Readings. A so-called Responsorial Psalm, also taken from the Bible always follows the First Old Testament Reading. Also the intervening chants are usually based on some text from the Scriptures. So you are certainly given much opportunity to hear the Word of God.

The Church has always given special preference to the Word of God. First of all because we believe that its writers were inspired by God to write what they did. And at least at Mass, the Church has refrained from introducing and using other writers. Other writers might be able to write better and be more appealing. But they can’t make the claim of being inspired by God. There are plenty of other opportunities when they can be read and enjoyed with profit, but not at Mass. Admittedly that is a side issue that just seemed to creep in.

BACK TO HEARING THE WORD OF GOD: We have plenty of opportunities to hear, but do we take advantage of them? Jesus gives us a rather detailed description of how the results generally turn out. Perhaps if we were in a retreat setting I could read the last section, and pause after each group and ask everyone to stop and ask themselves, “Do I belong in this group who hear, but don’t understand?” Or “Did I once receive the word with joy, but I took no root, and so it lasted only for a short time?” Or “Did I hear the word, but then worldly anxiety and the lure of riches choked the word and it bore no fruit?” And lest I be accused of being completely negative, I’ll ask: “Did I hear the word and understand it and bear fruit a hundred or sixty or thirtyfold?” Maybe we can answer “sometimes, but not all the time.”

A practical suggestion: As I indicated at the beginning, there is no doubt that Catholics are hearing a lot more of the Bible now than they used to. In some respects we have to say that this is good. It is hard to say what kind of results it is producing. The Bible and what it contains should be a very practical book for us, i.e. it should lead to active practice in our lives. If we would concentrate on one piece of advice learned each week and practice it, our general behavior and manner of living would soon change. I suggest that you pick out something each week to ‘hear’ and let fall on good soil so that it can produce good results.

For a specific passage, I suggest that you look at this week’s selection from St. Paul’s letter to the Romans where he says: “The sufferings of this present time are as nothing compared with the glory to be revealed in us.” First of all, make sure that you know the meaning. St. Paul is saying that any suffering or hardship that we have to endure here on this earth is going to seem as nothing when we finally reach the glory of heaven which Jesus has prepared for us who have tried to serve Him while we were on this earth.


We hope you enjoyed this homily by Fr. Valentine Young, OFM.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

Recent Posts

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  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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