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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacred Music As Entertainment

Guest Author · July 10, 2014

0319_Card-Flute-LG UMMER AND AUTUMN in the Midwestern United States are filled with church and parish festivals. Anyone armed with a copy of the diocesan newspaper, opened to the “date book” section, could spend every weekend or so visiting a new city, a new parish, and taking in the sights and sounds of the parish festival. These festivals, however, also bring out the annual “Polka Mass” for the parish.

If you’re not familiar with the “Polka Mass,” it is a regularly celebrated Ordinary Form Mass in which the music is done by a polka band and choir. The Ordinary of the Mass and all the hymns are sung in the style of polka music. Unfortunately, very often the texts of the Ordinary are paraphrased, changed, or from previous English translations. The melodies are often traditional polka tunes with the Mass text or hymn pasted onto the melody. While it’s not my desire now to critique these so-called “Polka Masses,” a recent headline in a Midwestern newspaper encouraged me to think.

The headline read Polka choir marks 40 years of entertaining. Entertaining? A church choir is all about entertaining? I wasn’t taught that in my years of seminary. And yet there are so many people who feel that Mass needs to be more “fun” (or, in other words, “entertaining”). If only the choir wasn’t so dull, some say, those pews might be full. It’s really one symptom of a larger problem that the headline alludes to: is Sacred Music simply for entertainment value?

ET’S TAKE A LOOK AT SOME of the Church’s teaching in regard to Sacred Music. St. Pius X in his motu proprio Tra le Sollecitudini calls Sacred Music “a complementary part of the solemn liturgy” and states that its “principal office is to clothe with suitable melody the liturgical text proposed for the understanding of the faithful” and that its “proper aim is to add greater efficacy to the text.” I don’t see anything in there about Sacred Music’s entertainment of the congregation.

In Pius XII’s encyclical Musicae Sacrae, Pius explains that Sacred Music has a special power and excellence that should lift up to God the minds of the faithful who are present. Pius further explains that Sacred Music “should make the liturgical prayers of the Christian community more alive and fervent so that everyone can praise and beseech the Triune God more powerfully, more intently, and more effectively.”

Finally, the 1967 Instruction on Music in the Liturgy, Musicam Sacram, from the Sacred Congregation of Rites, written after the Second Vatican Council, makes clear that the duty of the choir is “to ensure the proper performance of the parts which belong to it, according to the different kinds of music sung, and to encourage the active participation of the faithful in the singing.”

HAT IS THE POINT OF ALL THIS? Sacred Music and the choir of a church aren’t there for entertainment value. Music isn’t part of the liturgy to add “spice and flavor” to the liturgical action. St. Pius X described Sacred Music’s function as “suitably clothing” the liturgical text and its aim as adding greater value to the text. Pius XII elucidated the effect that Sacred Music has on making the community’s prayers more alive and more fervent, so that everyone can praise and entreat God “more powerfully, more intently and more effectively.” Musicam Sacram continues in this thread by stating clearly that a choir should encourage the active participation of the faithful in the singing.

The Liturgy and Sacred Music aren’t the theatre―a place built for entertainment―but rather a place for worship of God and prayer to Him. The Liturgy is “a sacred action surpassing all others; no other action of the Church can equal its efficacy by the same title and to the same degree” (as says Sacrosanctum Concilium). We go to theatres and cinemas for entertainment. The newspaper article I read headlined the forty years of “entertaining” that that polka choir has done: I hope there’s also been forty years of encouraging the active participation of the faithful in the singing; and “suitably clothing” the liturgical text so that the community’s prayers can be more alive and fervent.


We hope you enjoyed this guest post by Fr. Alan M. Guanella.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“No one can reasonably find in the dispositions of Vatican II anything out of order, or any extreme opinions or tendencies which restrict the function of sacred music exclusively to the congregational singing of the faithful or on the other hand which replace or eliminate the singing of the congregation entirely by the singing of the choir.”

— Most Rev’d Archbishop D.M.M. y Gómez, Primate of Mexico (at that time, the world’s largest archdiocese)

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  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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