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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Benedict Brought Peace To The Church With “Summorum Pontificum”

Jeff Ostrowski · January 28, 2014

834 Latin Mass OPE BENEDICT XVI brought peace to the Church by his 2007 motu proprio Summorum Pontificum. In the letter accompanying it, he said:

“What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.”

The fact is, for a long time, Catholics have had to accept a great injustice. On the one hand, certain bishops were admitting all kinds of inappropriate things (especially secular music) into the liturgy, owing to catchwords like “inclusivity, pastoral considerations, cultural sensitivity, ministerial creativity, and avoidance of rubrical rigidity.” On the other hand, Catholics who ardently desired sacred and traditional liturgy were often not allowed to have it. As László Dobszay put it, describing a similar situation:

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

Seeing this gross injustice, Pope Benedict XVI set things right. There’s not really much I can add to Professor Dobszay’s quote, except to point out that people who distorted the Council’s true teachings could only do so because the internet didn’t exist yet. With the advent of the internet, granting full access to the actual documents, distortion has become much more difficult. To give just one example, are you aware that some bishops banned Latin in their dioceses after the Council, in spite of §36 of Sacrosanctum Concilium? Somebody published a list of dioceses which did that, but I can’t seem to find it at the moment. Regardless, priests who lived during that period have assured me this actually did happen.

YESTERDAY, OUR HOT WATER HEATER BROKE. And our car wouldn’t start, so here I am riding my bike on the absolute coldest day of the year. As I’m riding, stray dogs leap out at me and sometimes cause me to tumble. My temptation is to turn around and get even with those dogs. But what good would that do?

That’s like the Church. I see petty snipers everywhere. They get their digs in against the Church whenever they can. Like my mother used to say, “Any old stick will do to beat the Church.” But, Pope Benedict XVI didn’t focus on the “stray dogs.” He focused on something positive: bringing peace to the Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin Mass, Pope Benedict XVI, Summorum Pontificum Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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