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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jungmann’s Remarkable Statement About The Mass Propers In 1964

Jeff Ostrowski · February 9, 2014

814 pius ii mantua Pope Pius II at the Congress of Mantua ROM A HISTORICAL PERSPECTIVE, László Dobszay has demonstrated that it’s incorrect to assume each Mass has its own “theme.”  Even more erroneous is the notion that the Readings historically played the largest role in determining this “theme.”  From a theological perspective, Fr. Deryck Hanshell has said:

In the name of the reform there has been a tendency to equate the “theme” of the Mass with the theme to be derived from the readings. This is a misunderstanding of the nature of the Mass, in which the liturgy of the word leads up to and is subordinate to the liturgy of the sacrifice. In every Mass there is properly speaking one theme and one theme alone: the theme of the paschal mystery, of the death and resurrection of Christ.

I had previously assumed that Fr. Josef Jungmann was aware of these two basic realities, so I was shocked to discover something he wrote in 1964:

Very often the Propers are not particularly apposite, bearing a particular reference neither to the rest of the Mass formula nor to the relevant part of the action of the Mass. In short, they need reforming.

The entire article is available at the following link:

      * *  “Liturgy and Congregational Singing” (1964) — Fr. Josef A. Jungmann, SJ

Did you notice the horrible error made by Editor, by the way? He accidentally typed “OPPOSITE” instead of “APPOSITE”. Needless to say, there’s a huge difference! (For the record, Msgr. Schmitt often joked about how sloppy an editor he was.)

Anyway, getting back to that quote … it’s appalling! In essence, Jungmann is saying:

“I’ve decided that each Mass has a theme. If the ancient Propers don’t match the theme I’ve invented, let’s change them. Let’s ignore the incredible history of these prayers, which have been used for approximately 1,600 years.”

The spoken Propers were, in fact, radically reformed in the wake of the Second Vatican Council, but the Sung Propers were left largely untouched. The reformers also annihilated most of the Collects, perhaps because they didn’t sufficiently match the “theme.” Dr. Lauren Pristas wrote a book about this, which I mention in my article, “Bugnini wanted to get rid of Ash Wednesday.”

I challenge you to carefully read that quote by Jungmann several times. What he’s putting forth shows a total misunderstanding of the Church’s liturgical life. I realize this is a serious allegation, but I cannot see any other possible conclusion.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Mass Propers Proprium Missae Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Soloists are dangerous in any church choir! Their voices frequently do not blend with those of the other singers to form a rich, integrated tone.

— Roger Wagner

Recent Posts

  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs
  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?

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