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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Forty Hours Sermon

Guest Author · August 6, 2014

Originally given on 13 October 2013.

EVERAL YEARS AGO when I was still living in the diocese of Lexington, KY, the priests there were asked to do a ‘pulpit exchange.’ This meant that one Sunday they were to preach at a different Church and tell the story of their priestly vocation. In other words how and why they happened to become priests.

Now probably each priest’s story is different, and possibly way different. So all we could do was to tell it like it was for us. My journey, shall I call it, really began very early in life. I remember the first time that Sister took us to Church in the first grade, and explained to us how Jesus was present there: how He became present at Mass through the priest. When I heard that, the thought ran through my mind that maybe someday I too would like to be a priest to be able to do that. Now I’m not saying that I had this idea from then on out, but I can say that was the time that the idea first struck me.

But then, as I recounted the story in my sermon I made perhaps an unfortunate, and in the opinion of some, an inappropriate remark. I said something to the effect that if that had been one of those churches where the Blessed Sacrament had been relegated to some side chapel or closet, that would not have happened. The Church in which I was preaching happened to be one of those Churches which didn’t have the Blessed Sacrament in it, and my remark caused quite a stir. I even received a call from the chancellor the next day that I shouldn’t express my personal opinions about things in my sermons. I simply told the chancellor that I was asked to tell how my vocation to the priesthood started, and that was the story of the beginnings of my vocation to the priesthood. I couldn’t change that.

I can tell this story here at Old St. Mary’s because I don’t think the position of the tabernacle is going to be a source of controversy among you good people. You want our Lord’s real presence in the Blessed Sacrament to be right in the center or most important place in the Church. I am sure you have one of the highest records of Eucharistic Adoration time in the entire Diocese. What you do is real ‘Faith in action.’ You show by your actions what you believe in regard to the Eucharist. You might not have the theological insight of a St. Thomas Aquinas, Fides quaerens intellectum, that faith seeking understanding. Yours is more the practical faith of St. Francis who insisted that the altar linens and furnishings be kept clean and spotless out of reverence for the King of Kings Who is present.

We are concluding three special days of honor of our Lord in the Blessed Sacrament. Our faith, our belief in the Eucharist is based on the simple, yet tremendous act of our Lord at the Last Supper. On the night before He died, in anticipation of his death on the Cross the next day, He took bread and said, “This is my Body which will be given up for you.” And then He took the cup of wine and said, “This is the Chalice of My Blood, which will be shed for you. Do this in remembrance of me.” This was the first Mass, looking forward to what was going to happen the next day. Every Mass offered since is the same, making re-present what happened on Calvary. And yes, the same Jesus, Lord and God is present. He it is that we are especially honoring by this Forty Hour devotion. Incidentally the number forty was derived from approximately the number of hours that Jesus lay in the tomb. But now it is the Risen, the living Christ whom we are adoring and Who is present on all altars and in our tabernacles. What else can we say? What else need we say, but “Increase our faith, O Lord; Increase the faith of all who believe in you.”


We hope you enjoyed this homily by Fr. Valentine Young, OFM.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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  • “Gregorian Chant Quiz” • 24 March 2026
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  • PDF Download • “Ubi Caritas” (SATB)

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