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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Forty Hours Sermon

Guest Author · August 6, 2014

Originally given on 13 October 2013.

EVERAL YEARS AGO when I was still living in the diocese of Lexington, KY, the priests there were asked to do a ‘pulpit exchange.’ This meant that one Sunday they were to preach at a different Church and tell the story of their priestly vocation. In other words how and why they happened to become priests.

Now probably each priest’s story is different, and possibly way different. So all we could do was to tell it like it was for us. My journey, shall I call it, really began very early in life. I remember the first time that Sister took us to Church in the first grade, and explained to us how Jesus was present there: how He became present at Mass through the priest. When I heard that, the thought ran through my mind that maybe someday I too would like to be a priest to be able to do that. Now I’m not saying that I had this idea from then on out, but I can say that was the time that the idea first struck me.

But then, as I recounted the story in my sermon I made perhaps an unfortunate, and in the opinion of some, an inappropriate remark. I said something to the effect that if that had been one of those churches where the Blessed Sacrament had been relegated to some side chapel or closet, that would not have happened. The Church in which I was preaching happened to be one of those Churches which didn’t have the Blessed Sacrament in it, and my remark caused quite a stir. I even received a call from the chancellor the next day that I shouldn’t express my personal opinions about things in my sermons. I simply told the chancellor that I was asked to tell how my vocation to the priesthood started, and that was the story of the beginnings of my vocation to the priesthood. I couldn’t change that.

I can tell this story here at Old St. Mary’s because I don’t think the position of the tabernacle is going to be a source of controversy among you good people. You want our Lord’s real presence in the Blessed Sacrament to be right in the center or most important place in the Church. I am sure you have one of the highest records of Eucharistic Adoration time in the entire Diocese. What you do is real ‘Faith in action.’ You show by your actions what you believe in regard to the Eucharist. You might not have the theological insight of a St. Thomas Aquinas, Fides quaerens intellectum, that faith seeking understanding. Yours is more the practical faith of St. Francis who insisted that the altar linens and furnishings be kept clean and spotless out of reverence for the King of Kings Who is present.

We are concluding three special days of honor of our Lord in the Blessed Sacrament. Our faith, our belief in the Eucharist is based on the simple, yet tremendous act of our Lord at the Last Supper. On the night before He died, in anticipation of his death on the Cross the next day, He took bread and said, “This is my Body which will be given up for you.” And then He took the cup of wine and said, “This is the Chalice of My Blood, which will be shed for you. Do this in remembrance of me.” This was the first Mass, looking forward to what was going to happen the next day. Every Mass offered since is the same, making re-present what happened on Calvary. And yes, the same Jesus, Lord and God is present. He it is that we are especially honoring by this Forty Hour devotion. Incidentally the number forty was derived from approximately the number of hours that Jesus lay in the tomb. But now it is the Risen, the living Christ whom we are adoring and Who is present on all altars and in our tabernacles. What else can we say? What else need we say, but “Increase our faith, O Lord; Increase the faith of all who believe in you.”


We hope you enjoyed this homily by Fr. Valentine Young, OFM.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.”
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“What will be the results of this innovation? The results expected, or rather desired, are that the faithful will participate in the liturgical mystery with more understanding, in a more practical, a more enjoyable and a more sanctifying way.” [Enjoyable?]

— Pope Paul VI (26 Nov 1969)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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