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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Daily martyrology

Veronica Brandt · August 16, 2014

St Andrew Kim and companions 103 Korean martyrs (St. Andrew Kim, First Korean Catholic priest) HE MOST PRESSING NEWS lately has been the rise of the Islamic State in Syria and Iraq, wiping out some of the oldest Christian communities in the world. Each day brings news of fresh horrors, complete with photographs. The mind recoils, the heart grows heavy, how can we even hear it?

And yet, this is nothing new. This is the way of the Cross which Christians have followed from the beginning.

Some versions of the Divine Office make time for reading the Martyrology each day. Every day brings ancient reminders of the transience of our time on earth. Each brief account reinforces St Paul’s teaching: “For I reckon that the sufferings of this time are not worthy to be compared with the glory to come that shall be revealed in us.”

The Roman Martyrology for tomorrow, the seventeenth of August.

THE Octave of St. Lawrence, martyr. At Cracow, in Poland, St. Hyacinth, confessor, of the Order of Preachers, who slept in the Lord on the 16th of this month. At Carthage, in Africa, the holy martyrs Liberatus, abbot, Boniface, deacon, Servus and Kusticus, subdeacons, Rogatus and Septimus, monks, and Maximus, a young child. In the persecution of the Vandals, under king Hunneric, they were subjected to various unheard-of torments for the confession of the Catholic faith and the defense of one baptism. Finally, being nailed to the wood wherewith they were to be burned, as the fire was always put out miraculously whenever kindled, they were struck with iron bars by order of the tyrant until their brains were dashed out. Thus they terminated the glorious series of their combats, and were crowned by our Lord. At Caesarea, in Cappadocia, the birthday of St. Mamas, martyr, who, from childhood to old age, endured a long martyrdom, and at length ended it happily in the reign of Aurelian, under the governor Alexander. He has been highly praised by the holy fathers Basil and Gregory Nazianzen. In Achaia, St. Myron, priest and martyr, who was beheaded at Cyzicum, after undergoing many torments, in the time of the emperor Decius and the governor Antipater. At Nicomedia, the holy martyrs Straton, Philip and Eutychian, who were condemned to the beasts, but being uninjured by them, ended their martyrdom by fire. At Teramo, St. Anastasius, bishop and confessor. At Ptolemais, in Palestine, the holy martyrs Paul, and his sister Juliana, who suffered under Valerian.

From the Roman Martyrology 1916.

There is nothing new!

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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