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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (5 of 7)

Guest Author · August 12, 2014

EVERAL MONTHS AGO, VCL readers may recall, I posted about my work, the Simple English Choral Propers which uses the offertories from the “Simple English Propers” by Adam Bartlett (unaltered) as cantus firmi. The aim of these pieces: parish choirs of all sizes and skill levels who desire chant-based polyphony for their offertory Mass propers. They also propose a good stepping stone for the beginning choir to approach polyphony.

The strong response to my earlier post introducing these pieces shows 1) the enduring quality of the SEP themselves, 2) a desire on the part of parish choirs to choose a chant-based polyphonic setting of the offertory propers, 3) parish choirs preferring to eliminate the necessity of a second offertory song after a ‘compulsory’ propers chant exposition – as I have witnessed several parish choirs do since embracing the propers chants, and 4) the attractiveness of psalm tones proclaimed in choral harmony.

In the not too far off future, the entire cycle will be posted and a complete book will be available. At present, I am introducing a limited selection of the pieces that they may continue to get the ball rolling for parish choirs who find the SEP attractive and wish to explore more deeply the chant’s harmonic and rhythmic implications.

      * *  Assumption of the Blessed Virgin Mary — Free PDF

      * *  20th Sunday in Ordinary Time — Free PDF

      * *  23rd Sunday in Ordinary Time — Free PDF

      * *  28th Sunday in Ordinary Time — Free PDF

      * *  33rd Sunday in Ordinary Time — Free PDF

      * *  Christ the King Sunday — Free PDF

      * *  1st Sunday of Advent — Free PDF

      * *  2nd Sunday of Advent — Free PDF

      * *  3rd Sunday of Advent — Free PDF

      * *  4th Sunday of Advent — Free PDF

      * *  Christmas (vigil) — Free PDF

      * *  Christmas (midnight mass) — Free PDF

      * *  Christmas (daytime mass) — Free PDF

      * *  Epiphany — Free PDF

Assumed is a basic knowledge of the Simple English Propers as these pieces follow the same modus operandi. For those unfamiliar with SEP, they may want to look at this practical guide. A tutorial on SE Choral versions may be found here.


We hope you enjoyed this guest post by Jon Naples.



7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Simple English Mass Propers Last Updated: January 1, 2020

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President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Much of the reordering [in 1970] of the pieces of the Roman Gradual seems arbitrary and useless; nevertheless, with some exceptions, it does not affect the shape of the service, since like pieces are exchanged for like.”

— Dr. William Peter Mahrt

Recent Posts

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  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?

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