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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (5 of 7)

Guest Author · August 12, 2014

EVERAL MONTHS AGO, VCL readers may recall, I posted about my work, the Simple English Choral Propers which uses the offertories from the “Simple English Propers” by Adam Bartlett (unaltered) as cantus firmi. The aim of these pieces: parish choirs of all sizes and skill levels who desire chant-based polyphony for their offertory Mass propers. They also propose a good stepping stone for the beginning choir to approach polyphony.

The strong response to my earlier post introducing these pieces shows 1) the enduring quality of the SEP themselves, 2) a desire on the part of parish choirs to choose a chant-based polyphonic setting of the offertory propers, 3) parish choirs preferring to eliminate the necessity of a second offertory song after a ‘compulsory’ propers chant exposition – as I have witnessed several parish choirs do since embracing the propers chants, and 4) the attractiveness of psalm tones proclaimed in choral harmony.

In the not too far off future, the entire cycle will be posted and a complete book will be available. At present, I am introducing a limited selection of the pieces that they may continue to get the ball rolling for parish choirs who find the SEP attractive and wish to explore more deeply the chant’s harmonic and rhythmic implications.

      * *  Assumption of the Blessed Virgin Mary — Free PDF

      * *  20th Sunday in Ordinary Time — Free PDF

      * *  23rd Sunday in Ordinary Time — Free PDF

      * *  28th Sunday in Ordinary Time — Free PDF

      * *  33rd Sunday in Ordinary Time — Free PDF

      * *  Christ the King Sunday — Free PDF

      * *  1st Sunday of Advent — Free PDF

      * *  2nd Sunday of Advent — Free PDF

      * *  3rd Sunday of Advent — Free PDF

      * *  4th Sunday of Advent — Free PDF

      * *  Christmas (vigil) — Free PDF

      * *  Christmas (midnight mass) — Free PDF

      * *  Christmas (daytime mass) — Free PDF

      * *  Epiphany — Free PDF

Assumed is a basic knowledge of the Simple English Propers as these pieces follow the same modus operandi. For those unfamiliar with SEP, they may want to look at this practical guide. A tutorial on SE Choral versions may be found here.


We hope you enjoyed this guest post by Jon Naples.



7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Simple English Mass Propers Last Updated: January 1, 2020

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President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— Monsignor Jules Van Nuffel (circa 1940)

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