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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeb Bush And The Sacred Liturgy

Jeff Ostrowski · September 15, 2013

“Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.” — Rev. Adrian Fortescue (The Mass, 397)

HE TRUE NAME of “Jeb” Bush is John Ellis Bush. The nickname “Jeb” is for men with the initials J-E-B. For instance, a family friend’s name is “James E. Botega,” but we grew up calling him Jeb.

It doesn’t make “sense” to use the nickname Jeb. If you say, “Hello, Jeb Bush” you’re saying “Bush” twice, because “Bush” is included in the acronym “Jeb.” If you say, “Hello, Jeb Botega,” it doesn’t make sense, because “Botega” is already included in the acronym “Jeb.”

Certain features of the Liturgy also don’t make “sense,” but are kept because they come from tradition. Tradition is important to Catholics. When we adhere to our sacred tradition, we honor our Lord in a special way and give testimony to the Church’s antiquity.

A typical example of what I’m talking about is the Ite, Missa Est. This dismissal has a venerable history, although the first dismissal (Dismissal of Catechumens) fell out of use as the centuries went on. I have to be careful to limit my comments here, because (like so many other liturgical subjects) the Ite, Missa Est has a fascinating and complex history. As a matter of fact, the name “Mass” seems to have come from the dismissal. For our purposes, it is sufficient to mention that even after the Ite, Missa Est has been sung, the Traditional Mass continues with several other parts (Placeat, Blessing, Last Gospel) and some might argue this doesn’t make “sense.” If you want to learn more about the Ite, Missa Est, a good start would be Adrian Fortescue’s article.

It would be annoying if a loud mouth yelled out “His name is John” after someone addressed Jeb Bush with his nickname.

It would be equally annoying if a loud mouth yelled, “Hey, Priest, why are you wearing a Cope? Copes were used by monks when it was raining and there’s not a cloud in the sky!”

These things are traditions. Traditions are not required to make “sense.”

POPE EMERITUS BENEDICT reminded us in one of his books: “The Second Vatican Council did not reform the liturgy. It ordered its reformation.” In other words, the Council gave principles, but the actual reform was left to others. I’ve been deeply troubled recently, studying the polemical and biased account of this reform by Archbishop Annibale Bugnini. As time goes on, perhaps we can speak more about this. So much of the reform seems to have been haphazard, partisan, disorganized, and done by unqualified people who didn’t do their homework. “Change for the sake of change” (although contrary to Counciliar documents) seems to have been part of this.

Sometimes, traditions in existence for well over 1,000 years (like the Crosses in the Roman Canon) were gotten rid of because modern theologians were unable to fully understand their genesis or purpose. It’s almost like saying: “Hmmm, I don’t really understand what this is. Let’s get rid of it.” This is not appropriate when it comes to Liturgy. Heck, forget the Liturgy … this principle isn’t even applicable to cleaning one’s house!  I like to dispose of items whenever I don’t know: (a) what they are; (b) where they came from; or (c) their purpose. However, my wife doesn’t like when I do this … and I’ve come to realize it’s wrong. I especially hate reading the parts where Bugnini labels some ancient prayer or long-standing rubric “unsuitable” without giving an explanation. I subscribe to the theory that says, “If it was good enough for Catholics over the last 1500 years, it’s good enough for me.”

The Council was supposed to “update” the Church for modern man, right? Yet, many practices were brought back from antiquity (many of them invented, we now know) even though these had been abandoned for good reasons as the Church grew and theology developed. Many bishops and priests have suggested reforming the Reform, that is, bringing the current Rite into conformity with what the Second Vatican Council ordered. This needs to be examined.

P.S.

I’m not trying to be argumentative by using the word “polemical” to describe Bugnini’s book, but every time someone objects to his proposed changes he refers to “attacks” (his word) and this gets old really fast.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“As late as 1834, British society had many restrictions on any person not adhering to the Anglican church. For example, Roman Catholics could not attend a university, serve on a city council, be a member of Parliament, serve in the armed forces, or even serve on a jury.”

— Regarding the Church of Henry VIII

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