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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bugnini: the word Alleluia is a “meaningless sound”

Jeff Ostrowski · October 7, 2013

353 Last Supper HEN historian Hubert Jedin critically examined the effects of the vernacular liturgy in a 1969 article printed by L’Osservatore Romano, Annibale Bugnini became “unhinged,” writing a polemical response that includes the following statement:

As a good historian who knows how to weigh both sides and reach a balanced judgment, why did you not mention the millions and hundreds of millions of the faithful who have at last achieved worship in spirit and in truth? Who can at last pray to God in their own languages and not in meaningless sounds, and are happy that henceforth they know what they are saying? Are they not “the Church?”

His argument is absurd for two reasons. First, it is incorrect to assert that Catholics cannot understand words in a different language. For example, just think of the word “Alleluia.” Or, think of “Kyrie Eleison” and “Amen.” The same for “Hosanna in excelsis” and “Et incarnatus est.” Until the reforms following the Second Vatican Council, the Mass was (for the most part) unchanging. To say that Catholics cannot put forth a little effort and learn the basics of the Mass in Latin is untenable, especially for those who understand the great importance of the Mass. According to St. Thomas Aquinas, even if one cannot give a “dictionary definition” for the word alleluia, praying it in Church is still pleasing to God if one has the love of God in one’s heart.

The second problem with Bugnini’s assertion is treated by Fr. John Parsons in his thoughtful article:

      * *  Article by Fr. John Parsons (Printed in Sacred Music)

It is simply incorrect for Bugnini to say that a “black hole” existed from the 6th century until 1965 (when the vernacular was introduced) during which Catholics were not truly adoring God at Mass. Please carefully notice I am not saying the fathers of the the Second Vatican Council went beyond their rights when they allowed for greater use of the vernacular, declaring “it is for the competent territorial ecclesiastical authority to decide whether, and to what extent, the vernacular language is to be used” (Sacrosanctum Concilium §36c).

I WOULD ENCOURAGE to read that article by Fr. Parsons. At the end, I also included some interesting comments by Kurt Poterack, who cites a 1995 article by Fr. Brian Harrison (The Reform of the Reform) which everyone ought to read. If anyone has access to an online version, please email me.

Fr. Parsons makes many good points, especially in the section mentioning the Eastern Rites. This is a subject I will be writing more about in the context of “Bugnini logic” (see below). The words of Pope Francis about the Eastern Rites are also worthy of consideration:

They have conserved that pristine liturgy, no? So beautiful. We [i.e. those of us who celebrate the liturgy reformed by Bugnini] have lost a bit the sense of adoration, they conserve it, they praise God, they adore God, they sing, time does not count. The center is God and that is a richness that I would like to emphasize on this occasion as you ask me this question.

[Original Italian: Hanno conservato quella pristina liturgia, no?, tanto bella. Noi abbiamo perso un po’ il senso dell’adorazione, loro lo conservano, loro lodano Dio, loro adorano Dio, cantano, il tempo non conta. Il centro è Dio e quella è una ricchezza che vorrei dire in questa occasione in cui Lei mi fa questa domanda.]

As time goes on, we’ll talk more about “Bugnini logic” … a type of pseudo-logic (accepted in the 1960s) which did great harm to the Church and is now undergoing evaluation by cooler heads. In particular, statements made by Bugnini in his book on liturgy are remarkable for their brashness, and often reveal an appalling lack of understanding for basic Catholic theology. It is very difficult for me to understand how those in authority could have been taken in. They fell for it “hook, line, and sinker” as my mother would say.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The current Ordo Missae, which has grown up in the course of the centuries, certainly is to be retained.” (Hodiernus Ordo Missæ, qui decursu saeculorum succrevit, certe retinendus est.)

— Clarification from a bishop on the Council’s Liturgical Commission (11-5-1962)

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  • Fulton J. Sheen • “24-Hour Catechism”
  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”

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