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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Do We Think Of Cell Phones At Mass?

Jeff Ostrowski · October 28, 2013

NE REASON SO MANY Catholics are flocking to the Extraordinary Form is that many (not all) Ordinary Form parishes suffer from a “lack of the sacred.” I’m not going to spend a whole lot of time explaining what I mean, since so many authors have written about this over the years, but in general I refer to a certain “informality” (inappropriate clothing, clapping at Mass, etc.) which for some reason doesn’t tend to occur at EF Masses. By the way, you will want to read what Paul VI wrote about “desacralization” of Mass. It won’t be long until people begin eating at Church, since we’ve already seen pretty much everything else one can imagine.

However, I’ve noticed a certain tendency at EF Masses which causes me concern. It has to do with a phenomenon you can see in picture above: recording Masses (especially by means of inferior cameras like cell phones) and posting them online.

ON THE ONE HAND, I can see arguments in favor of using cell phones at Mass (see image above). The desire to keep a remembrance of a beautiful occasion is fully understandable. However, isn’t it distracting to see people pulling out their iPhones? Even during the Recessional, aren’t we supposed to be praying? Presumably, we’ve just received the Sanctissimum: is it not uncouth to pull out an electronic device?

Besides, we have a duty to present the Holy Mass in the best light possible, right? Do we really want to show people Masses recorded poorly, not in focus, with only one camera angle? Again, I think we need to do whatever we can to promote the Mass, but aren’t such efforts ultimately self-defeating if not done well? The longer I live, the more I become against filming the Mass, except under very carefully chosen circumstances. After all, I think my daughter is the most beautiful little girl in the entire world, but even she can look bad if the photographer or camera is inferior.

We did include Mass pictures in the Campion Hymnal, but we spent months planning for this, so those pictures (in my opinion) are “worthy” of the Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin Mass Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

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