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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St Teresa’s Dad and Standards

Veronica Brandt · October 19, 2013

St Teresa of Avila by P P Rubens St Teresa of Avila by Peter Paul Rubens, via Wikimedia Commons AST WEDNESDAY WAS THE FEAST of Saint Teresa of Ávila. Each morning one of my children reads out a short entry about the Saint of the day. This particular day we couldn’t find the book so I got out the Autobiography of St Teresa and threatened to read the whole thing – though my children know my eagerness for breakfast so they did not seem to take me seriously.

We read the first chapter, which is always fun to read, with her attempt at early martyrdom along with her brother. I love the account of building little hermitages and . Something else struck me this time:

My father was fond of reading good books and had some in Spanish so that his children might read them too.

Why does it mention specifically that some books were in Spanish? Because it is taken for granted that “good books” are in the language of scholarship – probably Latin. If you were educated enough to be able to read, then you were probably educated in the Latin language as well. Knowledge of Latin was a part of the furniture, so to speak. A precise language, common across cultural boundaries, holding the received wisdom of western civilisation.

Where did it go?

Back in my first year of Computer Science, the wonderful Richard Buckland said the most important thing about computer science was standards. Try as I might, I cannot find any similar quote in his current online lectures, which just goes to show how much computers have changed in the last sixteen years. If I have remembered the lesson incorrectly, I apologise, but leave the link to this fantastic teacher.

Standards make it possible to share content. I type up words in one part of the world. My computer converts this to binary and shares it with other computers which all know how to turn those 0s and 1s into the coloured light which comes out of your screen. How many standards are at work there? Some sort of text encoding, also a markup language or two, the joint photographic experts group (jpeg) encoding for the picture of St Teresa up there, hypertext transfer protocol to send all these bits across the telephone lines, etc. The list must be finite, but it is a surprisingly long list which we take for granted.

Common standards, a common language, remains a huge asset for building upon. Like Latin for classics and standards for computer programming, there is a wealth of received knowledge for providing music for the liturgy. Just as so many people use computers ineffectively through not understanding the foundations, so there is much liturgical confusion through breaking away from standards.

So let’s continue learning the building blocks of sacred music. Don’t underestimate the standards.

photo source

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Some of our younger parish clergy read their sermons. This should not be done except for some very special reason. The priest who is not capable of preparing and delivering a brief, clear instruction on Catholic teaching to his people is not fit to be in parish work. The people as a rule do not want to listen to a sermon reader.”

— Archbishop of Baltimore (9 July 1929)

Recent Posts

  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”

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