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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St Teresa’s Dad and Standards

Veronica Brandt · October 19, 2013

St Teresa of Avila by P P Rubens St Teresa of Avila by Peter Paul Rubens, via Wikimedia Commons AST WEDNESDAY WAS THE FEAST of Saint Teresa of Ávila. Each morning one of my children reads out a short entry about the Saint of the day. This particular day we couldn’t find the book so I got out the Autobiography of St Teresa and threatened to read the whole thing – though my children know my eagerness for breakfast so they did not seem to take me seriously.

We read the first chapter, which is always fun to read, with her attempt at early martyrdom along with her brother. I love the account of building little hermitages and . Something else struck me this time:

My father was fond of reading good books and had some in Spanish so that his children might read them too.

Why does it mention specifically that some books were in Spanish? Because it is taken for granted that “good books” are in the language of scholarship – probably Latin. If you were educated enough to be able to read, then you were probably educated in the Latin language as well. Knowledge of Latin was a part of the furniture, so to speak. A precise language, common across cultural boundaries, holding the received wisdom of western civilisation.

Where did it go?

Back in my first year of Computer Science, the wonderful Richard Buckland said the most important thing about computer science was standards. Try as I might, I cannot find any similar quote in his current online lectures, which just goes to show how much computers have changed in the last sixteen years. If I have remembered the lesson incorrectly, I apologise, but leave the link to this fantastic teacher.

Standards make it possible to share content. I type up words in one part of the world. My computer converts this to binary and shares it with other computers which all know how to turn those 0s and 1s into the coloured light which comes out of your screen. How many standards are at work there? Some sort of text encoding, also a markup language or two, the joint photographic experts group (jpeg) encoding for the picture of St Teresa up there, hypertext transfer protocol to send all these bits across the telephone lines, etc. The list must be finite, but it is a surprisingly long list which we take for granted.

Common standards, a common language, remains a huge asset for building upon. Like Latin for classics and standards for computer programming, there is a wealth of received knowledge for providing music for the liturgy. Just as so many people use computers ineffectively through not understanding the foundations, so there is much liturgical confusion through breaking away from standards.

So let’s continue learning the building blocks of sacred music. Don’t underestimate the standards.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The argument moves from the existence of the thing to the correctness of the thing: what is, ought to be. Or, a popular variant: if a thing is, it doesn’t make any difference whether it ought to be—the correct response is to adjust, to learn to live with the thing.”

— ‘L. Brent Bozell, Jr.’

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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