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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Look Beyond The Bread You Eat” (Part 2)

Jeff Ostrowski · November 18, 2013

IFE AS A PARENT is a constant struggle. The children have endless energy … and you have none. It’s hard to find even a few minutes which can be spent peacefully listening to music. However, a few days ago I listened to part of a Mass by Cristóbal de Morales (sung by Chanticleer). It was so incredibly beautiful. More on this below.

I mentioned in Part 1 that certain things seem obvious to me, yet others have a totally different view. Let me give just one more example:

Years ago, upon being criticized for a lack of variety of Communion selections, I admitted to my priest-employer that I was struggling to find decent Communion hymns. His response was, “Well, obviously you don’t have a clue. Come over here, and in five seconds I can do a better job than you could dream of doing.” His rude manner of speaking did not bother me, because he spoke to everybody that same way. For the record, I ended up quitting a few months later, because this same priest began to weep — literally sob! — when I refused to allow a local jazz combo to play for the Holy Saturday Vigil.

Anyhow, this priest looked through our OCP hymn book, searching for what he called “reverent, orthodox hymns.” He searched and searched. Finally, he pointed to a song called, “Look beyond the bread you eat.” I was flabbergasted. It dawned on me that nothing I’d been saying to him had made the slightest impact. All these months, I had literally been wasting my breath. It was a revelation. Sometimes people are on a completely different wavelength.

Getting back to the Morales I mentioned earlier, his settings of the Mass — Credo, Sanctus, etc. — were so gorgeous … but why? I believe one reason was to transport us to a different world.

Have you ever wondered what it must have been like when the galaxy was created? Were you present when God created the birds? Were you there when grass and oceans were being created? What was it like to see whales and deer and rainbows and clouds come into existence? I don’t know … I wasn’t there. But this Morales music is transcendent, and (in my view) opens the mind to contemplate life in a different way. All of a sudden, humans (upon hearing such music) are invited to contemplate things Divine, whereas too many of us tend to waste our time and thoughts. Morales pulls us out of “reality” into a higher reality. How remarkable that someone back then could write such sophisticated and beautiful music, when modern culture insists that people today are so much smarter than former ages, and we no longer require “myths” like the God of the Bible. By the way, which of us routinely contemplates death? Modern culture wants us to think about anything BUT death. To make a long short, how different is the liturgical music of Morales from a song like Look Beyond The Bread You Eat !!

I DON’T WANT TO SHOCK anybody, but the Catholic Church has millions and millions of dollars. (This is still true, although it’s hard to believe when we hear about horrible scandals, like Roger Cardinal Mahoney paying close to a billion dollars from church funds because he covered up sexual abuse of minors.) So, why is our Catholic liturgical music so terrible in 99% of parishes? I’m starting to think it has to do with what I said earlier: we’re talking past one another. We’re not on the same page.

Therefore, I’ve decided to work on a set of “proposals” for Church musicians. These are basic, fundamental facts that both Pastor and Musician must understand. I’ve wanted to do this for years. I hope you’ll give your input, as time goes on, and we can together formulate a clear, guaranteed “formula for success.”

This article is part of a series:

Part 1   •   Part 2

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Contract Between Priest And Musician Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“One must pray to God not only with theologically precise formulas, but also in a beautiful and dignified way. The Christian community must make an examination of conscience so that the beauty of music and song will return increasingly to the liturgy.”

— Pope Saint John Paul II (26 February 2003)

Recent Posts

  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?

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