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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mothers as dwellings

Veronica Brandt · May 11, 2013

OCTOR NILS BERGMAN came up with the idea that the newborn’s natural habitat is the mother. He found premature babies did much better with maternal skin to skin contact rather than keeping them in special cots. It makes sense that after nine months on the inside there would still be that bond, but amazing the way the body out does the expensive equipment.

It reminds me of the blessing for expectant mothers which sounds suspiciously like the prayer at the end of Compline “Visita quaesumus Domine habitationem istam” “Visit, O Lord, this dwelling”. The mother becomes the dwelling place of a new person.

Before children you may be classified by what you do to earn a living. As a mother your children seem to replace any previous qualifications. This can be frustrating when you think of all the time and money that went into earlier life, but after a while that pales compared with the amazing yet commonplace needs of your family. And the amazing love that grows over time.

Pope Francis made headlines for lauding the role of women in his April 3 address (Read it here) The address tackles the need for faith in the Resurrection of Jesus. The women at the tomb are held up as models of faith and joy in spreading the news. But not just women, mammas and women (mamme e donne). He goes on to say that mothers and women have a special role in witnessing to their children and opening the doors to the Lord, “in following him and in communicating his Face, for the gaze of faith is always in need of the simple and profound gaze of love.”

It may seem like a very inefficient way to pass on the faith. Even having children close together that’s only about one new proselyte each year. Plus ongoing commitment for a good 18 years for each one. Surely in a digital age we can find the killer app to do this much more effectively! But that is not God’s way. Love takes time, and gets better over time.

From the same address: “It is the heart that counts for God, how open to him we are, whether we are like trusting children.” It’s not just getting the message across to the next generation that makes motherhood special, but the outpouring of the mother’s life. We grow to trust God over time, to rest secure in the hope that He has a plan and the plan is Good.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

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“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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