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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Young Father Ratzinger Offers Mass In Bavaria

Jeff Ostrowski · March 9, 2013

ERE ARE TWO pictures that were sent to me. I am not sure where these pictures came from. The first one is a young Fr. Ratzinger (later Pope Benedict XVI), taken on 17 August, 1952. The picture may possibly have come from this website [url], where you can download a bunch more high quality images of Fr. Ratzinger, like this one [image]. Some will remember that when we first began Views from the Choir Loft (December 2012), we used a 1951 picture of the newly ordained Fr. Ratzinger serving as Subdeacon (read more here and here). I’ll talk about the second picture in a minute.

We are grateful to have precious images like these, of such a holy and great man as Pope Benedict XVI at an early (I almost said “nascent”) stage of his priesthood. Viewing them, ideas may present themselves to the mind like, “Oh, I wish there were a billion more of these pictures.” However, that gets one thinking a little deeper. In today’s day and age, it is actually possible to video tape every moment of one’s life from birth. I know this, because I have often been tempted to do so with my children. For instance, during the last two hours, my daughter has done the most amazing, splendid, remarkably cute things imaginable. I cannot even list them all here, but I will give one example: when the water in the bath is being drained, this 2-year-old girl always says, “Bye, water!” and waves to it as it goes down the drain. These are the moments that make a parent want to, literally, record every moment of a child’s life.

And yet . . . when we start to really ponder, we realize this is not good. Too much photography is bad. It might encourage one to focus too much on “legacy.” After all, everybody knows deep down that “legacy” is worthless. What matters is whether you go to Heaven or Hell when you die. Nothing else matters. A person who dies and goes to Hell will not be thinking, for all eternity, “Well, I’m in Hell, but at least I made a name for myself when I was alive.” Nobody will be thinking that. Nobody in Hell will be saying, “I’m in Hell, but at least people are on the internet downloading my latest video.” There is no need to keep going on and on about this. It ought to be obvious to all, even though most of us go to great lengths to avoid thinking about these “four last things.”

I would, therefore, submit to the reader that we can go “overboard” on taking pictures and videos of our lives. Besides, too many pictures might remind us of the bad as well as the good. For instance, the second image (below) would seem to be a 1950s picture of the Mass at a military base. I cannot help but notice that several of the men are not kneeling and appear not to care what is happening. “Seems like the more things change, the more things stay the same,” as somebody once said . . .

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

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  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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