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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Young Father Ratzinger Offers Mass In Bavaria

Jeff Ostrowski · March 9, 2013

ERE ARE TWO pictures that were sent to me. I am not sure where these pictures came from. The first one is a young Fr. Ratzinger (later Pope Benedict XVI), taken on 17 August, 1952. The picture may possibly have come from this website [url], where you can download a bunch more high quality images of Fr. Ratzinger, like this one [image]. Some will remember that when we first began Views from the Choir Loft (December 2012), we used a 1951 picture of the newly ordained Fr. Ratzinger serving as Subdeacon (read more here and here). I’ll talk about the second picture in a minute.

We are grateful to have precious images like these, of such a holy and great man as Pope Benedict XVI at an early (I almost said “nascent”) stage of his priesthood. Viewing them, ideas may present themselves to the mind like, “Oh, I wish there were a billion more of these pictures.” However, that gets one thinking a little deeper. In today’s day and age, it is actually possible to video tape every moment of one’s life from birth. I know this, because I have often been tempted to do so with my children. For instance, during the last two hours, my daughter has done the most amazing, splendid, remarkably cute things imaginable. I cannot even list them all here, but I will give one example: when the water in the bath is being drained, this 2-year-old girl always says, “Bye, water!” and waves to it as it goes down the drain. These are the moments that make a parent want to, literally, record every moment of a child’s life.

And yet . . . when we start to really ponder, we realize this is not good. Too much photography is bad. It might encourage one to focus too much on “legacy.” After all, everybody knows deep down that “legacy” is worthless. What matters is whether you go to Heaven or Hell when you die. Nothing else matters. A person who dies and goes to Hell will not be thinking, for all eternity, “Well, I’m in Hell, but at least I made a name for myself when I was alive.” Nobody will be thinking that. Nobody in Hell will be saying, “I’m in Hell, but at least people are on the internet downloading my latest video.” There is no need to keep going on and on about this. It ought to be obvious to all, even though most of us go to great lengths to avoid thinking about these “four last things.”

I would, therefore, submit to the reader that we can go “overboard” on taking pictures and videos of our lives. Besides, too many pictures might remind us of the bad as well as the good. For instance, the second image (below) would seem to be a 1950s picture of the Mass at a military base. I cannot help but notice that several of the men are not kneeling and appear not to care what is happening. “Seems like the more things change, the more things stay the same,” as somebody once said . . .

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

Recent Posts

  • Music List • (5th Sund. Ordinary Time)
  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”

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