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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Pius X Hymnal by Dr. Theodore Marier

Jeff Ostrowski · March 29, 2013

R. THEODORE MARIER is a man I highly revere. I first heard his name mentioned by my friend David Hughes more than a decade ago. I recently paid a lot of money to obtain one of his first major productions, long out of print, called The Pius X Hymnal (McLaughlin & Reilly Co., Boston, Mass., 1953). But I am sorry to admit it was a huge disappointment.

UPDATE:   The choir, organist & congregational versions can now be freely download here.

Readers will probably recall that I have often written about an inexcusable flaw of many early Catholic hymnals: viz. their failure to list the TUNE NAME. Since I have written about this so many times, in long articles that painstakingly explain all the reasons this defect is unpardonable, I will not “shoot my mouth off” here. Suffice it to say, Ted Marier does not list the TUNE NAMES in The Pius X Hymnal. So, for instance, when Dr. Marier uses the hymn tune STUTTGART, he neglects to list the name of the melody. Nor does he do so in the indices. Not good, my friends.

I am also unhappy with other things. The ranges seem to me, on occasion, to be placed way too high. The entire book seems to be a hodgepodge of polyphony, simple chants, complex chants, and congregational tunes. As Bill Watterson said in his Calvin and Hobbes Cartoon: “A good compromise leaves everybody unhappy.” In other words, seeking to please everybody, the results end up pleasing nobody. As an editor, I can attest that it’s quite easy to create a book with lots of stuff inside. However, creating a book containing only those things useful for a particular group (choir, organist, congregation, etc.) is a much harder task.

One last point (and this was also pointed out by many people who reviewed this book in the 1950s): so few congregational hymns were included in this book . . . and many of those included lack inspiration.

In conclusion, although I have tremendous respect for Dr. Theodore Marier, I expected a lot more from this book based on its “reputation.” I hope my honest observations do not offend anyone, but I’ve learned that pretty much everything I write will offend somebody so I guess I should get used to it.

      * *  Click here to learn more about the Campion Hymnal

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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