Views from the Choir Loft

Video Demonstration Of Polyphony

Jeff Ostrowski · June 26, 2013

LL MY MASS SETTINGS were composed under certain constraints. It was necessary for them to be (1) relatively simple; (2) able to be sung with or without organ accompaniment; and, (3) within a “congregational” vocal range. Some might quibble with the notion that my Masses are “polyphonic,” since polyphony usually has more rests and slightly more independent vocal lines. A fairly nice definition of “polyphony” says that each voice has its own melody. In any event, I would submit that my Masses are as polyphonic as possible, given the restrictions I’ve already mentioned.

Below, I will provide links to everything required — SATB scores, organ scores, practice videos, and so forth. But first, please listen to these extremely short video demonstrations of polyphony:

* * Short Video Demonstration (1)

* * Short Video Demonstration (2)

Hopefully those videos provided a “taste” of the richness that is (I hope!) contained in each phrase of my Mass settings. You probably noticed that each phrase is “layered” — so there is always plenty to “listen for” no matter how many times the Mass is sung.

AS I PROMISED, below are the files for the SATB “Glory to God” in honor of Saint Edmund Arrowsmith. If you would like to download all four (4) of my Mass settings for the New Translation of the Roman Missal, please click here.

St. Edmund Arrowsmith “Glory to God” • Roman Missal, 3rd Edition

Cantor & Organist: (VIDEO)

SATB choral version: (VIDEO)

SATB choral score: (PDF).

Congregational score: Melody-Only (PDF)

            SATB Training Video SOPRANO:  (VIDEO)   •   (Mp3 audio)
            SATB Training Video ALTO:  (VIDEO)   •   (Mp3 audio)
            SATB Training Video TENOR:  (VIDEO)   •   (Mp3 audio)
            SATB Training Video BASS:  (VIDEO)   •   (Mp3 audio)

Finally, as I mentioned above, you can also download complete PDF scores for this entire Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Samaritánæ” (3rd Sunday of Lent)

With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

PDF • “Cantus Mariales” (192 pages)

Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski