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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Stravinsky on Tradition

Richard J. Clark · June 14, 2013

S WE CELEBRATE the 100th anniversary of Le Sacre du printemps (The Rite of Spring) the genius of Igor Stravinsky comes to mind. By the way, who knew that Stravinsky was a liturgist? Well, not quite, but he certainly had a profound grasp of the living connection between tradition and its indispensable role in our everyday lives:

“Tradition is entirely different from habit, even from an excellent habit, since habit is by definition an unconscious acquisition and tends to become mechanical, whereas tradition results from a conscious and deliberate acceptance. A real tradition is not the relic of a past that is irretrievably gone; it is a living force that animates and informs the present….Far from implying the repetition of what has been, tradition presupposes the reality of what endures. It appears as an heirloom, a heritage that one receives on condition of making it bear fruit before passing it on to one’s descendants.”

—Igor Stravinsky

Stavinsky understood that tradition tells us a great deal about ourselves. It is as necessary as food and water—nourishment that sustains us and keeps us alive. Otherwise we are dead and do not understand our faith, nor ourselves.

In the Julibee Year of 2000, I was fortunate to be invited to perform an organ recital in Bolzano, Italy. I took advantage of the trip to travel to Rome, walk through the Holy Door of St. Peter’s Basilica, and pray where so many have prayed who came before us.

Also quite revelatory, I had opportunity to visit my grandmother’s sister and my mother’s cousin in Tuscany. I also visited my grandmother’s birthplace. What I discovered was something extraordinary: the love, faith, the cooking, the smells, the sounds of the Tuscan dialect all brought me back home to my grandparent’s fifth floor walkup apartment on Leroy Street in Greenwich Village. (My grandfather came to the USA in 1927.) Yet, this rustic setting was all so familiar. Seeing where they grew their food, where and how they prayed, and how they lived, the two households seemed to have been right next door to each other, even though they were a world apart, New and Old. I experienced an extraordinary familiarity in another world. I experienced a better knowledge of where I came from, especially in faith—a living faith passed on to their descendants—to my mother and my sisters.

Tradition lives on in our own lives. Nourish it. Live it. Pass it on!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“At the hour for the Divine Office, | as soon as the signal is heard, | let them abandon whatever they may have in hand | and hasten with the greatest speed, | yet with seriousness, so that there is no excuse for levity. | Let nothing be preferred to the sacred liturgy.”

— Rule of St. Benedict (Chapter 43)

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  • (Part 2) • Did they simplify this hymn?
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