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Views from the Choir Loft

“One Nation Under God” • Unapologetically Roman Catholic in the United States of America

Richard J. Clark · July 3, 2026

LL OVER the East Coast of the United States, the faithful have taken to the streets in prayer and song in as part of the National Eucharistic Pilgrimage “One National Under God.” From St. Augustine, Florida to Portland, Maine, and culminating in Philadelphia on July 4th, countless pilgrims are unified in prayer and praise in our neighborhoods and in our churches. Such prayer is most public: powerfully and unapologetically Roman Catholic. Furthermore, as we also celebrate the two-hundred-fiftieth anniversary of the United States of America, we pray fervently for the renewal of our country.

From the National Eucharistic Pilgrimage website:

“In honor of America’s 250th year, the 2026 National Eucharistic Pilgrimage will carry the theme One Nation Under God…an invitation to realign our lives, communities, and country under the sovereignty of Christ…As pilgrims on this route, we walk with Christ so that His love might draw our nation back to Him.”

DURING THE EIGHTEENTH Century, it was shocking that a sovereign nation (self-declared no less!) would affirm that the rights of the people “are endowed by their Creator” — bestowed by God — and not conferred according to the whims of government. That George Washington stepped down from power after two terms as President and returned to his farm when he could have easily been reelected and amassed greater control, cemented the notion that leadership in government is a position of service, not of power. While this country is far from perfect, we must pray for this nation that was “conceived in Liberty, and dedicated to the proposition that all men are created equal.” (Gettysburg Address, President Abraham Lincoln, 1863) Such a notion is tested again and again.

Today, we are blessed that the Church in America may openly declare its love for Jesus Christ our Lord and Savior in the streets. This illustrates an inner beauty of the United States of America that allows us to do so while protecting freedom of religion and freedom of speech. Try this elsewhere, and it will likely not go as well.

IN THE ARCHDIOCESE of Boston, Pilgrims prayed at historic sites that included a Eucharistic procession from Plymouth Rock to Saint Peter’s Church, Plymouth for Mass. The following day, sun-kissed pilgrims endured the two and a half hour procession from Boston Common to the Bunker Hill Monument. EWTN News estimated the crowds to be close to three thousand.

ADDING TO THE OPEN nature of such prayer, many liturgies were broadcast on the ETWN. Here is the broadcast from the Cathedral of the Holy Cross via The Catholic TV Network in Boston, simulcast to EWTN and Maria Vision USA. Here is the worship guide from this Mass, a Votive Mass of the Most Sacred Heart of Jesus celebrated by Archbishop Richard G, Henning.

PERSONAL REFLECTION

Church musicians are often consumed with attending to endless details in both preparation and execution of the sacred liturgy. Ironically, (speaking for myself) we often struggle to truly pray in the moment. On a personal note, an incredibly moving moment for me was being able to pray at Exposition and Benediction at the Lexington Battle Green after Mass at Saint Brigid Parish. I could walk away from my duties and process with our sisters and brothers in prayer proclaiming openly to the world that Jesus Christ is Lord.

photos © 2026 Archdiocese of Boston & RJC

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 4, 2026

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    “Reminder” — Month of September (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “Cordero de Dios”
    Feel free to download this setting of the “Cordero de Dios” (AGNUS DEI) in Spanish. The congregation gets an interesting melody within reach, the organist gets a straightforward accompaniment, and the person assembling the ORDER OF WORSHIP gets a ‘ready-to-paste’ plainsong version. Try this setting of the “Santo, Santo, Santo” (SANCTUS) if you desire one that’s easy to sing and includes a simple organ accompaniment. For the record, I have harmonized the Spanish “GLORIA” found in the MISAL ROMANO, Tercera Edición. Click here to download that.
    —Jeff Ostrowski
    “Be Joyful Mary” • Organ Interlude

    Peter Piel (1835–1904), was a Roman Catholic composer named “Royal Music Director” under Wilhelm I, King of Prussia.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

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