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Views from the Choir Loft

“One Nation Under God” • Unapologetically Roman Catholic in the United States of America

Richard J. Clark · July 3, 2026

LL OVER the East Coast of the United States, the faithful have taken to the streets in prayer and song in as part of the National Eucharistic Pilgrimage “One National Under God.” From St. Augustine, Florida to Portland, Maine, and culminating in Philadelphia on July 4th, countless pilgrims are unified in prayer and praise in our neighborhoods and in our churches. Such prayer is most public: powerfully and unapologetically Roman Catholic. Furthermore, as we also celebrate the two-hundred-fiftieth anniversary of the United States of America, we pray fervently for the renewal of our country.

From the National Eucharistic Pilgrimage website:

“In honor of America’s 250th year, the 2026 National Eucharistic Pilgrimage will carry the theme One Nation Under God…an invitation to realign our lives, communities, and country under the sovereignty of Christ…As pilgrims on this route, we walk with Christ so that His love might draw our nation back to Him.”

DURING THE EIGHTEENTH Century, it was shocking that a sovereign nation (self-declared no less!) would affirm that the rights of the people “are endowed by their Creator” — bestowed by God — and not conferred according to the whims of government. That George Washington stepped down from power after two terms as President and returned to his farm when he could have easily been reelected and amassed greater control, cemented the notion that leadership in government is a position of service, not of power. While this country is far from perfect, we must pray for this nation that was “conceived in Liberty, and dedicated to the proposition that all men are created equal.” (Gettysburg Address, President Abraham Lincoln, 1863) Such a notion is tested again and again.

Today, we are blessed that the Church in America may openly declare its love for Jesus Christ our Lord and Savior in the streets. This illustrates an inner beauty of the United States of America that allows us to do so while protecting freedom of religion and freedom of speech. Try this elsewhere, and it will likely not go as well.

IN THE ARCHDIOCESE of Boston, Pilgrims prayed at historic sites that included a Eucharistic procession from Plymouth Rock to Saint Peter’s Church, Plymouth for Mass. The following day, sun-kissed pilgrims endured the two and a half hour procession from Boston Common to the Bunker Hill Monument. EWTN News estimated the crowds to be close to three thousand.

ADDING TO THE OPEN nature of such prayer, many liturgies were broadcast on the ETWN. Here is the broadcast from the Cathedral of the Holy Cross via The Catholic TV Network in Boston, simulcast to EWTN and Maria Vision USA. Here is the worship guide from this Mass, a Votive Mass of the Most Sacred Heart of Jesus celebrated by Archbishop Richard G, Henning.

PERSONAL REFLECTION

Church musicians are often consumed with attending to endless details in both preparation and execution of the sacred liturgy. Ironically, (speaking for myself) we often struggle to truly pray in the moment. On a personal note, an incredibly moving moment for me was being able to pray at Exposition and Benediction at the Lexington Battle Green after Mass at Saint Brigid Parish. I could walk away from my duties and process with our sisters and brothers in prayer proclaiming openly to the world that Jesus Christ is Lord.

photos © 2026 Archdiocese of Boston & RJC

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 4, 2026

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“To speak the language of God’s beauty, we must first begin to listen. And to listen, we must have silence in our lives. I pray that God will open our eyes and ears to beauty, and help us use it in the service of the Truth.”

— Bishop James D. Conley (10/4/2013)

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