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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Comprehensive Conversation on Veils

Veronica Brandt · July 27, 2013

ES, I WEAR A VEIL AT MASS, most of the time anyway. There are times when I wear a hat instead, times when a babe-in-arms will take a mantilla for a teething blanky, times when I just plain forget, but mostly I wear a black mantilla to Mass.

Most of the time it’s a no-brainer. After ten years or so it just seems right. And after having to face up to Our Lord and Saviour over so many faults and failings over the years, its good to have some sort of cover in the presence of the Blessed Sacrament. Any opportunity to remember God’s awesomeness is welcome, and it seems to help deflect the friendly chatter that cute offspring attracts.

Last week I read Should I Veil? A Debate Between Me & My Brain, a much more comprehensive and entertaining article on the conundrum than many I’ve seen. The author may be a little crazy, but she (or should I say, her brain) makes good points:

Well, the reason St Paul gives – and remember this is your brain talking so it could well be wrong – is that it is a sign of authority whereby the woman/wife expresses her relation to the man/husband as being between Christ and the Church, where Christ is the head of the Church, and analogously, the husband the head of the wife. As Christ gives His life for the Church and the Church submits to Christ, so the husband sacrifices for the wife and the wife submits to the husband. Both you see, are dying to themselves to love the other. By veiling therefore, the woman sums up the entire history of redemption as the nuptial union culminating in the Wedding Supper of the Lamb, and affirms her place salvation history by imaging the loving submission of the Church to Christ, and of Christ to His Father.

A sign of authority, a not my will, but thine be done. In this mad world where bill-boards exhort us to be selfish and the cult of personality puts human weakness up on a pedestal to be adored, it’s good to come back down to earth, with a little cloth to remind me of the infinite gap between me and the Creator of heaven and earth and all things. Knowing that He is in charge is a great comfort – in both senses of feeling settled and giving courage.

And here’s the disclaimer: wearing a veil does not forgive all your sins, infuse all virtues and guarantee you a place among the blessed. It’s not supposed to be elevating the wearer as pointing to something greater, someone greater, before whom every knee must bend. The last thing we want is people making it into an unnecessary stumbling block or a source of division and derision on either side.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Chapel Veil Mantilla Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Parish Priests have to think first of the simple faithful: people now used to the Roman Missal at Mass. They don’t want change.”

— Cardinal Spellman (one of the Vatican II fathers)

Recent Posts

  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?

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