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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Spinning The Wheel” Each Week For Hymns

Jeff Ostrowski · February 25, 2013

OR YEARS I have been one of the many people trying to describe the “Spin the Wheel for Hymns” game played almost universally in our churches. For one reason or another, our efforts at explanation have not been all that successful, but let me briefly try one more time. Basically, the Church assigns special prayers to each and every Mass. Most go back at least 1500 years and have been set to some of the world’s most sublime melodies. These prayers are called the Propers. Taking advantage of a loophole in Church legislation, a very large percentage of Catholics replace all of these Propers each Sunday. They substitute hymns (or worse). The end result is that each Sunday is very much like a “Spin the Wheel” game where the music director says, over and over, “What hymns do I feel like hearing today? What hymns do I feel like playing today? What theological message do I feel ought to be proclaimed today?”

Before anybody gets angry at my tone, please realize that I, myself, often do this. It has become so common, it will be hard to fix.

Indiscriminately replacing 100% of the Propers 100% of the time may not seem like a big deal, but it actually is. It is the de facto destruction of the Roman Rite, because all of a sudden the Rite becomes . . . whatever anybody feels like each week! Everyone is free to choose as he likes. The Rite becomes nothing more than a reflection of the personal tastes and whims of each music director.

However, the following video gives me hope. I was given permission to post it on the condition that the singers and location remain anonymous. Basically, it is sung by a bunch of really young Catholics who are trying to sing the Propers each week, in a simplified English version called the “Simple English Propers.” Very few members of the group read music, and they rely heavily on the videos provided free of charge by CCW. Here’s the live recording from this Sunday’s Mass:

As far as I am concerned, this group is sounding pretty good for starting out just recently! And I think as the years go by they will get better and better. They are “praying” the Mass. They are not “replacing” the Mass. Good for them.

Some people may feel that getting away from the practice of “replacing” the Mass would be impossible. Perhaps they can be inspired by the life of Nick Vujicic. Nick was born lacking legs and arms, but has done amazing things. If you do a Google search, you will find thousands of videos about Nick, and here is one example:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday—1 March 2026—the 2nd Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the flourishing feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Particularly Beautiful
    The 2nd Sunday of Lent has magnificent propers. Its INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

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