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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. George Rutler Weighs In On The Campion Missal

Jeff Ostrowski · April 15, 2013

ATHER GEORGE RUTLER is known all over the world as a preacher, and like many other Catholics, I grew up listening to his tapes (they were “cassette tapes” in those days). However, it turns out Fr. Rutler has many other talents. Among other things, he’s a truly gifted musician, first rate painter, and quite a sportsman, including things we might not expect, like boxing. I’m not a good writer, so rather than going on and on, let me simply say that Fr. Rutler is a truly brilliant man.

I would like to share a comment Fr. Rutler made about the Campion Missal [url]:

“Attractively, even elegantly, produced, the appearance of this Missal and Hymnal is appropriate to the high quality of the contents. It should be of great benefit of those who assist at the Traditional Mass and those who would be interested in learning more about it.”
        — Rev. George William Rutler

More than a decade ago, I listened to Fr. Rutler give a talk about beauty. If I remember correctly, he said beautiful things possess “goodness and perfection of form,” or some such words. Then he pointed out, “You will never understand the purpose and order of the universe if you like rock music. Have you ever noticed that rock music has no form? It doesn’t even have a proper ending: it just fades out.” These words are quite profound, and he’s absolutely right: rock music usually has no form or structure. It’s usually just a “riff” that repeats endlessly. Here’s an example of how a rock music song ends. By the way, it turns out the song actually has a different ending for “live” concerts. They end it by saying, “Don’t stop.” Without question, sounds terrible . . . no wonder they usually just “fade away” when possible.

Even the really good Disney movies have a “shape” to them. Think of that classic, “Robin Hood.” It definitely has a beautiful “shape” to the way the story is presented (when the conflict happens, etc.).

In the future, I hope to write more about beauty and purpose in the universe in the context of what we’re trying to do at CCW.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fr George William Rutler Last Updated: October 6, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The replies to this committee (of which Mgr Bugnini was the secretary) reveal a desire to reform the liturgy. In what sense? Out of 2,109 responses from bishops, just three expressed the desire to restore Communion under both kinds. There was a sizable demand for limited use of the vernacular, but only one French bishop wanted the entire Mass in French.”

— Fr. Dominic Allain (2019)

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  • PDF Download • “Pange Lingua” in Simple (Contemporary) Polyphony for Three Voices

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