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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Introduction To “Views From The Choir Loft”

Jeff Ostrowski · December 30, 2012

LEASE allow me to welcome you to “Views from the Choir Loft.” Credit for the clever Blog name belongs to Andrew Motyka, one of the founding contributors. I hope our Blog title is sufficiently descriptive, because I dislike Blogs with excessively enigmatic titles.

I will not attempt to describe the kinds of blog entries our contributors will be creating since I assume this will be obvious to our readers. For myself, however, I anticipate posting two different types of items: (1) reflections on Catholic sacred music & liturgy; (2) short reflections on interesting things I come across. To illustrate number 2, here is an example:

This was found in a very interesting article by Dom Gregory Anthony Murray (“Catholic Action and the Mass”) published in a 1935 edition of Caecilia (Volume 61, No. 10, page 439).

“In the opinion of all save perhaps the actual singers” . . . How true is this statement by Dom Gregory Murray! So often, singers attempt music they ought not to. But there are ways to remedy this, and I hope to write many more articles explaining how this can be fixed. I also hope to continue providing resources on CCW to help fix this problem.

One more example of an “interesting” thing I would pass along would be this statement by Monsignor Francis P. Schmitt:

It may not seem like forty years to some Pittsburghers since Paul Koch succeeded the redoutable Carlo Rossini, but it is. Prior to that he had studied at the University of Pittsburgh and Carnegie Tech. Graduate study took him to Leipzig and Paris, 1936-1939, for work with Gunther Ramin and Marcel Dupre. Not the least of his accomplishments in Leipzig was slipping out of class one not-so-fine day to snap a photo of the Nazis demolishing an heroic statue of Felix Mendelssohn. Taken into custody, he was released only after they found the negative.

This was taken from a 1989 article (“Regalement In Pittsburgh”) in Sacred Music. I will be including a lot more by “Frank Schmitt” (as his friends called him) because he was a good writer with “wit” . . . perhaps too much wit.

P.S.

I will sometimes end my blogs with the following motto, repeated often by a great Church musician:

“Remember: the life of a Church musician is a life of sacrifice.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“We have baptized about 240 this year … All the labors of a million persons—would they not be worthwhile if they gained one single soul for Jesus Christ?”

— Father Isaac Jogues, writing to his mother

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  • “Offertory” at Catholic Funerals

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