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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Vatican II Actually Said

Jeff Ostrowski · August 9, 2023

Shameful Quote

Some feel the most irresponsible 1960s reformer was Fr. Godfrey Diekmann. The Second Vatican Council had solemnly declared: “In accordance with the centuries-old tradition of the Latin rite, the Latin language is to be retained by clerics in the divine office.” In spite of this clear directive, Diekmann (3 March 1964) wrote: “What young candidate […]

Jeff Ostrowski · November 2, 2021

Cardinal Cupich Publicly Demands Greater Use Of Latin & Gregorian Chant At Chicago Masses

No sane person would claim that tunes by Marty Haugen, David Haas, or Rory Cooney constitute polyphony.

Follow the Discussion on Facebook

Jeff Ostrowski · October 21, 2021

PDF Download • “Did Vatican II Reform The Mass?”

Three (3) bullet points, written on a single sheet of paper.

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Jeff Ostrowski · October 10, 2021

A Puzzling Assertion by Bishop Arthur Roche (Congregation for Divine Worship)

Is backroom bowdlerization of Sacred Scripture truly irreversible?

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Corpus Christi Watershed

President’s Corner

    “Corn” From Heaven?
    The Westminster Version of the Sacred Scriptures was produced by Roman Catholics in England and bears an IMPRIMATUR dated 15 March 1958 by the Archbishop of Westminster. Its IMPRIMI POTEST was given by the director of the Pontifical Biblical Institute in Rome. Sometimes the words chosen by translators can sound funny to American ears. For instance, one of our Responsorial Psalms has as its refrain: “The Lord gave them bread from heaven.” But the British version has “The Lord gave them corn from heaven.” Feel free to examine this with your own eyes. (It comes from Psalm 77.)
    —Jeff Ostrowski
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Custom preserves many things in liturgy after their first reason has ceased.”

— Father Adrian Fortescue (writing in 1916)

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