“Unfair Characterization” • (But Good Question)
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“Fewer than 1% of Catholics are able to answer these questions correctly.” —Andrea Leal

The short answer is: the “Adalbert Propers” were never intended to be sung.

This PDF chart will be of interest to Catholic musicians!

Notice how Dom Franquesa (without explanation) stealthily annihilates sacrifice, sin, and the adoration we owe God.

Who can explain this?

Let’s call this person “Harry.” (We usually redact names for anonymity’s sake.)

His statement is not only foolish, it approaches heresy!

Nobody’s been able to provide any reason for this—and it’s been 60 years.

Today I must ask the infamous question… (ducks)

Including twelve (12) different versions!

Including an English version of the “Dies Irae,” an English version of the “Lauda Sion,” and hundreds of pages of English Mass Propers.

English Gregorian Chant by the Sisters of the Most Precious Blood (O’Fallon, Missouri)

This is perhaps the single most significant liturgical document CCWatershed has ever unearthed—and translated to English! • Explains the origin of “Gradual Antiphons” vs. “Missal Antiphons” (a.k.a. “Sacramentary Antiphons”)+
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Lies containing a little truth are the most difficult to quash • Here is the definitive, final exposé on why the “Spoken Propers” don’t match the “Sung Propers.” • In October of 1972, the Bishops’ Committee on the Liturgy falsely equated the “Spoken Propers” with the “Sung Propers” and proclaimed: “These antiphons are too abrupt for communal recitation” • Several official English translations of the Roman Gradual have received the imprimatur multiple times+
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