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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sung Vs Spoken Propers Novus Ordo

Andrea Leal · May 28, 2025

“The Adalbert Propers” • Six (6) Quotations

“Fewer than 1% of Catholics are able to answer these questions correctly.” —Andrea Leal

Corpus Christi Watershed · May 1, 2025

Antiphons Don’t Match?

The short answer is: the “Adalbert Propers” were never intended to be sung.

Jeff Ostrowski · February 5, 2025

PDF Download • “Psalm Comparison Chart”

This PDF chart will be of interest to Catholic musicians!

Jeff Ostrowski · December 20, 2024

“Source and Summit” • What Is That?

Notice how Dom Franquesa (without explanation) stealthily annihilates sacrifice, sin, and the adoration we owe God.

Jeff Ostrowski · December 4, 2024

“A Peculiar Discrepancy” • Immac. Concep. (8 Dec.)

Who can explain this?

Corpus Christi Watershed · November 9, 2024

“Reader Feedback” • 9 November 2024

Let’s call this person “Harry.” (We usually redact names for anonymity’s sake.)

Jeff Ostrowski · November 8, 2024

Huge Discovery! • Rare Document Explains Why There’s a “Spoken” Version of the Propers

His statement is not only foolish, it approaches heresy!

Jeff Ostrowski · September 25, 2024

Liturgical Tomfoolery

Nobody’s been able to provide any reason for this—and it’s been 60 years.

Jeff Ostrowski · August 22, 2024

The Very Least We Can Do!

Today I must ask the infamous question… (ducks)

Jeff Ostrowski · August 6, 2024

PDF Download • “Entrance Chant in English” (19th Sunday in Ordinary Time)

Including twelve (12) different versions!

Jeff Ostrowski · July 29, 2024

PDF Download • “O’Fallon Mass Propers” (483 Pages)

Including an English version of the “Dies Irae,” an English version of the “Lauda Sion,” and hundreds of pages of English Mass Propers.

Jeff Ostrowski · July 19, 2024

PDF Download • “Plainsong Propers” (1964) — Extremely Rare!

English Gregorian Chant by the Sisters of the Most Precious Blood (O’Fallon, Missouri)

Andrea Leal · October 29, 2020

PDF Download • Rare 1970 Document Explains “Spoken vs. Sung Propers”

This is perhaps the single most significant liturgical document CCWatershed has ever unearthed—and translated to English! • Explains the origin of “Gradual Antiphons” vs. “Missal Antiphons” (a.k.a. “Sacramentary Antiphons”)+

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Jeff Ostrowski · October 2, 2020

“Spoken vs. Sung Propers” • The Complete History

Lies containing a little truth are the most difficult to quash • Here is the definitive, final exposé on why the “Spoken Propers” don’t match the “Sung Propers.” • In October of 1972, the Bishops’ Committee on the Liturgy falsely equated the “Spoken Propers” with the “Sung Propers” and proclaimed: “These antiphons are too abrupt for communal recitation” • Several official English translations of the Roman Gradual have received the imprimatur multiple times+

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Jeff Ostrowski · August 23, 2020

Huge Discovery! (Not a Joke) • Re: “Gradual Antiphons vs. Missal Antiphons”

Last night I discovered something I never knew—so I immediately telephoned a priest to verify this.

Follow the Discussion on Facebook

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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