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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Propers Ignatius Press by Fr Samuel Weber

Jeff Ostrowski · January 14, 2025

Was “Ordinary Time” Found in the 1962 Missal?

The answer might surprise you!

Corpus Christi Watershed · October 22, 2020

PDF Download • “Mass Propers for Weekdays, Commons, and Saints” (1,294 pages)

Useful links as a “follow-up” to Mæstro Clark’s article about Fr. Weber’s plainsong settings.

Richard J. Clark · October 16, 2020

Indispensable & Accessible: Fr. Samuel F. Weber Propers in English

Indispensable and accessible: these antiphons possess sublime elegance that grace the Novus Ordo Mass with simple, yet proper reverence and solemnity.

Follow the Discussion on Facebook

Jeff Ostrowski · August 23, 2020

Huge Discovery! (Not a Joke) • Re: “Gradual Antiphons vs. Missal Antiphons”

Last night I discovered something I never knew—so I immediately telephoned a priest to verify this.

Follow the Discussion on Facebook

Fr. David Friel · March 31, 2019

Sacred Music US • Website for Fr. Weber’s Resources

A website exists to disseminate Fr. Samuel Weber’s sacred music resources

Fr. David Friel · April 26, 2015

A Criticism & Good News

Another Look at Fr. Weber’s “The Proper of the Mass”

Jeff Ostrowski · April 22, 2015

“Proper Of The Mass” (Ignatius Press) • Part 7 of 7

Let’s take a stroll down Memory Lane, shall we?

Andrew Leung · April 21, 2015

“Proper Of The Mass” (Ignatius Press) • Part 5 of 7

Musicians are naturally attracted to beautiful things; and a beautiful chant book encourages singers to make use of the book.

Dr. Lucas Tappan · April 21, 2015

“Proper Of The Mass” (Ignatius Press) • Part 6 of 7

If I were to use English settings of the Propers of the Mass, this would be my go-to book!

Fr. David Friel · April 19, 2015

“Proper Of The Mass” (Ignatius Press) • Part 4 of 7

The Next Big Thing Is Here

Veronica Brandt · April 18, 2015

“Proper Of The Mass” (Ignatius Press) • Part 3 of 7

We have the treasury of sacred music to steer us. We have computers to help adapt scores to suit our choirs. And now we have an excellent resource which provides ready made adaptations of the Propers.

Richard J. Clark · April 17, 2015

“Proper Of The Mass” (Ignatius Press) • Part 2 of 7

That this resource—and a flood of new ones—are becoming available, points to a new awakening in the Church.

Andrew R. Motyka · April 15, 2015

“Proper Of The Mass” (Ignatius Press) • Part 1 of 7

Fr. Samuel Weber is undoubtedly one of the modern masters of setting English chant.

Jeff Ostrowski · April 9, 2015

First Look Images! • “Proper Of The Mass” By Fr. Samuel F. Weber

This 1,292 page book is much thinner than I had anticipated.

Jeff Ostrowski · April 7, 2015

It Has Arrived! • “Proper of the Mass” (Ignatius)

You will notice that Fr. Weber’s version sounds quite similar to the authentic Latin chant.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

Recent Posts

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  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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