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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Paul Inwood Composer

Jeff Ostrowski · December 20, 2024

“Source and Summit” • What Is That?

Notice how Dom Franquesa (without explanation) stealthily annihilates sacrifice, sin, and the adoration we owe God.

Jeff Ostrowski · December 20, 2024

Rorate Caeli + ICEL + Dynamic Equivalence

There’s an old adage: “Once stung, twice shy.”

Jeff Ostrowski · March 7, 2024

Paul Inwood: It’s a “Miracle” (his word) the Traditional Latin Mass Still Exists

How dare I broach such a subject?

Jeff Ostrowski · October 31, 2023

PDF Download • “Choral Warm-Up” by Jeff Ostrowski (after Morley)

The “SSS” technique, known by every great singer. (Tag: 𝘛𝘳𝘪𝘤𝘬𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘰𝘶𝘴 𝘤𝘩𝘰𝘪𝘳𝘮𝘢𝘴𝘵𝘦𝘳)

Jeff Ostrowski · October 4, 2023

PDF Download • “Congregational Booklet” (Printable) for Jeff’s New Mass Setting

A congregational booklet requested by Mr. Seth Bauer.

Jeff Ostrowski · April 27, 2021

Paul Inwood Attacks Jeff Ostrowski’s Harmonies

Paul Inwood has unwittingly committed a rookie’s error here…

Follow the Discussion on Facebook

Jeff Ostrowski · October 23, 2019

Fascinating! • Tridentine “Permission Slip” (1985)

In this riveting document, Archbishop Weakland forbids one’s child from attending a Low Mass—wicked beyond a doubt!

Jeff Ostrowski · November 5, 2015

Liturgical Press Has An “Oops” Moment

“If we had known what the prayers really said, we would not have wanted to pray them any longer.” —Paul Inwood

Jeff Ostrowski · August 6, 2013

First Look Images! • Campion Second Edition

“The scribes seldom knew Greek, so these renderings of Greek texts in Latin characters teem with mistakes of every kind.” — Dr. Peter Wagner

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

This was first breach in the walls of a fortress, centuries old, stoutly built, strong and robust, but no longer capable of responding to the spiritual needs of the age. [N.B. the “fortress” is a liturgy which nourished countless great saints.]

— Annibale Bugnini (19 March 1966)

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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