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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

His Holiness Pope Pius XII

Jeff Ostrowski · March 29, 2023

“Seventy-Three (73) Changes” • Which Pope Pius XII Made to Holy Week

If we feel compelled to condemn these changes, let’s at least spend time learning what they are!

Jeff Ostrowski · February 28, 2021

(Screenshots) • Proving Holy Saturday Took Place In The Morning

Five reasons keeping Holy Saturday in the morning is a good idea.

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Jeff Ostrowski · August 16, 2020

3 September 1958 • Issued by Pius XII

The Sacred Congregation for Rites issued De musica sacra et sacra liturgia (“Instruction on Sacred Music and Sacred Liturgy”) on 3 September 1958. An excerpt: Finally, perfect active participation is achieved when there is also sacramental participation, by which “the faithful who are present communicate not only with spiritual affection, but also in reception of […]

Jeff Ostrowski · April 2, 2015

An Essential & Unique Thing For Holy Thursday

…and a look at Holy Thursday from the 1965 Missal.

Jeff Ostrowski · October 10, 2014

Pope Francis Allows A Flock Of Children To Dance Around Him

Is it appropriate for a pope to let kids dance around him in such a crazy fashion?

Jeff Ostrowski · July 30, 2013

Pope Pius XII speaks about the Liturgy (1956)

“Where it can be done away with without too much difficulty on the part of the faithful, it should be abrogated.” — Pope Pius XI on “orchestral Masses” (private letter)

Jeff Ostrowski · April 11, 2013

PDF Download • Instruction on Sacred Music (“De Musica Sacra”) • Issued by Pope Pius XII in 1958

Don’t you hate it when you think you know the answer to something . . . and then you find out you were dead wrong? This happened to me regarding the congregation reciting Mass Propers in the Extraordinary Form.

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Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

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