“Holy, Holy, Holy” transposed lower

Jeff Ostrowski · October 2, 2026

A simple setting based on a work by Canon Jules Vyverman.

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Holy, Holy, Holy” transposed lower

For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we’ve been using this this simpler setting of the “Holy, Holy, Holy” based on a work by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the legendary LEMMENSINSTITUUT in Belgium. It seemed pitched high, so (if you turn to page 2) you’ll see that I transposed it down one whole step.

—Jeff Ostrowski

Music List • (27th Sund. Ordinary Time)

Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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—Jeff Ostrowski

A Mystery! — Re: the “Liber Usualis”

Even after all these years, nobody has been able to explain this.

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—Jeff Ostrowski

Preface of Saint Joseph (added by the pope)

You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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—Jeff Ostrowski

“Predictable Rhymes?” • A Follow Up

We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?

—Jeff Ostrowski

‘Ould’ But Not Good

Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.

—Jeff Ostrowski

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

“Holy, Holy, Holy” transposed lower

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