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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gregorian Rhythm Wars

Jeff Ostrowski · May 21, 2024

Choir Members Can’t Get Enough of This Piece

An English translation of “Veni Creator Spiritus.”

Matthew Frederes · May 8, 2024

J. R. R. Tolkien and Guéranger : Antiquarianism is Protestantism! Was Pius X an Antiquarianist?

The Church is a living body, that has grown from a seed to a full grown tree. It can never return to the seed.

Jeff Ostrowski · April 7, 2024

Jeff Writes A Song About Dr. Weaver And Himself

This article—a “mini-dissertation” on syllabic plainsong—writes songs using the names of various CCW authors.

Jeff Ostrowski · April 2, 2024

“Response to Dr. Weaver” • 2 April 2024

Catholic musicians must avoid being viewed as “esoteric freaks” who can’t agree on anything and spend their entire lives fighting about things nobody cares about.

Dr. Charles Weaver · March 16, 2024

Response to Jeff: Rhythmic Signs Again

I propose that we consider Dom Pothier’s method without making an unnecessary appeal to authority.

Jeff Ostrowski · March 15, 2024

Jeff Ostrowski Attempts to Sing the Easter Introit

I opted for the Church’s official rhythm.

Jeff Ostrowski · March 11, 2024

“Response to Dr. Weaver” • 11 March 2024

“It would be a barbarous archaism to adopt this ancient custom in our time.” —Dom Guéranger

Jeff Ostrowski · February 10, 2024

Must We “Love” All Gregorian Chant?

Where “Parce Dómine” (the famous song for Lent) came from.

Dr. Charles Weaver · February 5, 2024

What is the Place of the Horizontal Episema in Dom Mocquereau’s Theory?

It really is a minor part of Mocquereau’s theoretical enterprise. That doesn’t mean it’s completely pointless, though.

Jeff Ostrowski · February 2, 2024

Abbat Bourigaud Challenges Dr. Charles Weaver!

Father De Santi opined that “Solesmes had rid themselves of Pothier by giving him an abbey”—to which Pope Pius X responded that it amounted to “a small compensation.”

Jeff Ostrowski · December 30, 2023

Christmas • “Approached By A Famous Musicologist”

If you’re somebody who likes grandiloquence, you’ll prefer the description by Dr. Ellis.

Jeff Ostrowski · December 18, 2023

“Liber Usualis” • Jeff’s Proposed Modifications

In 1957, the Abbey of Solesmes publicly claimed copyright over “the rhythmic signs 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗿𝗵𝘆𝘁𝗵𝗺 𝘁𝗵𝗲𝘆 𝗿𝗲𝗽𝗿𝗲𝘀𝗲𝗻𝘁.”

Jeff Ostrowski · November 12, 2023

(14 Examples) • Jeff Ostrowski’s Artistic “Credo”

Including several hymns eminently suitable for the feast of Christ the King.

Follow the Discussion on Facebook

Jeff Ostrowski · November 4, 2023

PDF • Draft Booklet “Couture Chant” (255 Pages)

This is very much a “work in progress”…

Jeff Ostrowski · October 23, 2023

“Did One Man Single-Handedly Sabotage the Gregorian Restoration?” • (Part 2 of 2)

Will anyone step forward to defend this?

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“In particular, today we must remember that our liturgy—celebrated according to the books promulgated by Saints Paul VI and John Paul II—must be preserved from any element from the ancient forms.”

— Bishops of Costa Rica —Hat tip to ‘Catholic Arena’

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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