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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

“Reproaches” for Good Friday (Recording)

Jeff Ostrowski · April 15, 2017

Many people have been sending us messages, asking for the below videos. In fact, we posted them last year—but perhaps some don’t realize that. It is against our policy to post things previously released; so please forgive this exception.

HE FOLLOWING BOOKLET is for the Extraordinary Form (“1955 Holy Week”) but the music is almost identical to the Ordinary Form. (Except for the Crucem Tuam antiphon, which seems to have been shifted to a different spot in the 1970s.)

*  PDF Download • “Musician’s Guide to Good Friday”


Mp3 versions:

Mp3 Audio • Part 1 of 2

Mp3 Audio • Part 2 of 2

The link is easy to remember: ccwatershed.org/friday/

This one also works:

https://www.ccwatershed.org/2017/04/15/good-friday-reproaches-recording/

Someone has talked about how missalette companies either delete or modify the Reproaches, even though they’re 100% part of the authentic “Ordinary Form” Rite. I’ve always been puzzled by attempts to render this beautiful ceremony into English—especially when people delete the Latin but leave the Greek untouched!

As you can see, the rubrics specifying which cantors sing when are quite ancient:

234 Good Friday Reproaches

What can be said of the prayers for Good Friday? Who could meditate upon them without being moved? My first chant teacher, Fr. Peter Gee, always said his favorite chants were the ones for Good Friday, and I think he was right.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Good Friday Reproaches, Holy Week Last Updated: April 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    “Glory To God” • (For Choir + Congregation)
    I wish to thank everyone for the nice comments I received vis-à-vis my Glory To God setting for Choir & Congregation. A gentleman with a musical doctorate from Indiana University wrote: “Love this setting so much. And I will pray, as you asked, for your return to composition more fully. You are very very good.” A female choir director wrote: “I love your harmonizations, your musicality, and the wonderful interplay you have with dissonance and consonance in your music. So fun to listen to, and great for intellect, heart, and soul!” A young woman from California wrote: “Thank you for releasing your new Glory To God in honor of Saint Noel Chabanel. I'm enjoying reading through the various parts and listening to your recordings.”
    —Jeff Ostrowski
    William Byrd • “Mass for Five Voices”
    Our volunteer choir is learning the “Sanctus” from William Byrd’s Mass for Five Voices. You can hear a short excerpt (recorded last Sunday) but please ignore the sound of babies crying: Mp3 recording. We still have work to do—but we’re on the right track. Once we have some of the tuning issues fixed, I desire to use it as an example proving volunteers can sing complicated polyphony.
    —Jeff Ostrowski
    “Baptism” • A Unique Hymn
    Father Christopher Phillips is the founding Pastor of Our Lady of the Atonement Catholic Church. One of his hymns is unique and (in my humble opinion) quite beautiful. His hymn is basically a prayer to the Holy Trinity but also speaks of Baptism and the Holy Eucharist. It would be an ideal Communion hymn on Trinity Sunday or the feast of the Baptism of the Lord. You can hear live recording from last Sunday by clicking here.
    —Jeff Ostrowski

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

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