Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
From a reader: “I have read the pages explaining the Blessed Sacrament in the Brébeuf hymnal and plan on continuing to contemplate them. Moreover, the Christ the King Hymn is beautifully sung on the recording you posted (to the Watershed blog), and I wish my church would sing these hymns instead of modern ones from […]
Readers already realize that seventeen (17) splendid organ accompaniments for the simple “Salve Regina” can be freely and conveniently downloaded here. But what about the solemn tone for the “Salve Regina”—has anyone composed an organ accompaniment for that? Yes, Canon Jules Van Nuffel has composed one for the solemn version.
Sometimes words are superfluous. Sometimes no commentary is needed. If you look at this Tale of Two Missals (PDF)—which compares the Canon from the “Modern” ICEL Missal with a “Dark Ages” Missal, I think you will understand exactly what I’m getting at.
From a reader: “Corpus Christi Watershed is the greatest musical organization ever created in the Church!”
Do you know what the church narthex is? It’s kind of like a separate room, blocked off by a wall. A buddy of mine (sitting in the narthex) took some iPhone recordings of our congregation singing Vespers. Here’s how they sound sans organ. [Note: Whenever I play for Vespers, I make sure to have some […]
Here is a photo of Archbishop Fulton J. Sheen celebrating Mass in Jerusalem. That image was included in the “Fulton J. Sheen Sunday Missal” (1961), which was edited by Father Caramen and has an IMPRIMATUR by William Cardinal Godfrey, who served as Archbishop of Westminster from 1956 until his death in 1963. The Fulton Sheen […]
I submit to you that nothing is gained by these slight variations in the repeats for the Epipany Offertory. The edition is by Carl Ott, a musicologist. Almost nothing is about Carl Ott—as far as I can tell, nobody even knows when Carl Ott was born or when Carl Ott died.
In 2013, I began speaking of an insane liturgical practice which was allowed by Pope Pius XII—but nobody realizes this. If you tried to do this at the Traditional Latin Mass, you would most likely be run out of town on a rail. However, for the record, the FULTON SHEEN MISSAL (edited by Father Caraman) […]
Yves Chiron claims that Annibale Bugnini was a professor at PIMS (the Pontifical Institute of Sacred Music in Rome) for ten years, but in 1965 he was forced to resign. If true, this is very odd. Another odd fact: It turns out that Leopold Stokowski, the famous conductor who helped Josef Hofmann found the Curtis […]
Giovanni Battista Doni (d. 1647AD) is known for having changed the name of the UT Note—renaming it “Do.” He convinced his contemporaries to make the change by arguing that: (1) “Do” is easier to pronounce than “Ut” is; and (2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the […]
Take a look at the Introit for tomorrow, the 13th Sunday after Pentecost. When we were in school, we would have gotten in trouble if we wrote “xiiii” as Roman Numerals instead of “xiv”—but you can see this was actually quite common.
Most Rev’d Dins J. Hart—Archbishop of Melbourne from 2001 to 2018—wrote as follows in 2007: “From my youth I have valued and loved the traditional Mass of the Roman Rite. Since 1970, I have grown to love the Missal of Paul VI. I am delighted that the Missal of Blessed John XXIII has been restored […]
Archbishop Di Noia recently claimed that the Faithful’s hunger for the Traditional Mass “has gotten totally out of control and become a movement, especially in the United States, France, and England…” The former vice-president of Ecclesia Dei declared that “Pope Francis is right to see in the repristination of the pre-conciliar liturgy at best a […]
If you look at the 1961 Solesmes Gradual for the 11th Sunday after Pentecost, you will see that somebody in the 1960s was trying to figure out the “melismatic moræ vocis” (a.k.a. “Vaticana white notes”) which we have spoken of so frequently on this blog.
Speaking about the AGNUS DEI, Father Fortescue wrote: “Agnus as a vocative is curious, evidently in order to reproduce the original text (John 1:29) exactly.” [Altera die vidit Joannes Jesum venientem ad se, et ait: Ecce agnus Dei, ecce qui tollit peccatum mundi.] Father Fortescue, as usual, is correct; but in some medieval manuscripts you […]
