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Corpus Christi Watershed

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Views from the Choir Loft

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Jeff Ostrowski · March 17, 2021

PDF Download • My Favorite Gregorian Hymn

There are so many wonderful Gregorian hymns, but the “HYMN TO SAINT JOSEPH” is my favorite.

Jeff Ostrowski · March 11, 2021

“Extra” Offertory & Communion Verses in the Saint Edmund Campion Missal (3rd Edition)

Sophia Institute Press has authorized us to release marvelous secrets about the 3rd edition!

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Jeff Ostrowski · February 17, 2021

PDF Download • “O Sacred Head Surrounded” … placed into Gregorian Chant!

Also provided: an organ accompaniment for “Jam Christe Sol Justitiae” (an ancient Catholic hymn for Lent).

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Jeff Ostrowski · February 16, 2021

PDF Download • “Daily Missal with Vespers for Sundays” by Dom Lefevbre (2,007 pages)

…including news Re: the 3rd edition of the Saint Edmund Campion Missal, scheduled to be released in April.

Keven Smith · February 16, 2021

PDF • “Spiritual Mass Plan for Church Organists”

Some guidance on how to stay recollected at a low Mass while you’re also playing organ.

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Jeff Ostrowski · February 11, 2021

PDF Download • 1954 “Bragers Hymnal”—Accompaniment Edition (131 pages)

We have scanned this extremely rare hymnal, granted Imprimatur by Francis Cardinal Spellman on 15 February 1954.

Jeff Ostrowski · January 19, 2021

PDF Download • “Mass Propers For Sundays And Holydays Set To Simple Melodies” (429 pages)

In 1947, this book was given a double “Imprimatur” by Cardinal Spellman, Archbishop of New York.

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Jeff Ostrowski · January 5, 2021

PDF Download • “Essential Liturgical Chart”

I’ve never spent as much time creating a Liturgical Chart as I did for this one.

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Jeff Ostrowski · January 5, 2021

PDF Download • “Blessing of Epiphany Water”

An 18-page PDF for the Solemn Blessing of Water on the Eve of the Epiphany.

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Jeff Ostrowski · January 3, 2021

PDF Download • “Puer Natus In Bethlehem” — Simple Christmas Hymn (2 Pages)

This is one of my favorite Gregorian hymns; very catchy!

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Jeff Ostrowski · January 2, 2021

PDF Download • “No woman shall kiss her child on the Sabbath or fasting day.”

The “Blue Laws” were a series of fanatical laws enacted by the Puritans of the colony of Connecticut…

Jeff Ostrowski · November 19, 2020

PDF Download • Several Useful Plainsong Books

“Variae Preces” (1892) — “Cantus Varii” (1902) — “Cantus Varii” (1928) — “Cantus Selecti” (1957)

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Andrea Leal · October 29, 2020

PDF Download • Rare 1970 Document Explains “Spoken vs. Sung Propers”

This is perhaps the single most significant liturgical document CCWatershed has ever unearthed—and translated to English! • Explains the origin of “Gradual Antiphons” vs. “Missal Antiphons” (a.k.a. “Sacramentary Antiphons”)+

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Jeff Ostrowski · October 28, 2020

PDF Download • Beautiful Requiem Mass Image

“Every diocese, almost every church, had its own customs. Our present rule dates from the revived missal of 1570.”

Jeff Ostrowski · October 23, 2020

PDF Download • Extremely Simple (Yet Gorgeous) Polyphonic Funeral Mass

These rehearsal videos were recorded by one person, and he apologizes for the poor singing quality…

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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