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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download

Jeff Ostrowski · January 27, 2025

PDF Download • 3-Voice Arrang. by Helen Drost

You owe it to yourself to listen to this ‘live’ recording.

Jeff Ostrowski · January 25, 2025

“What Are the Urbanite Hymns?” (4-Page PDF)

“No one who knows anything about the subject now doubts that that revision of Urban VIII was a ghastly mistake, for which there is not one single word of any kind to be said.” —Father Adrian Fortescue

Jeff Ostrowski · January 24, 2025

“Music List” • 3rd Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · January 24, 2025

Only Every Three Years…

Communion antiphon for the 3rd Sunday in Ordinary Time (Year C).

Jeff Ostrowski · January 23, 2025

“Entrance Chant” • 3rd Sunday (Ord. Time)

This English adaptation uses a Tetrardus mode, as does the authentic Gregorian Chant version.

Jeff Ostrowski · January 22, 2025

“Remembering William Mahrt” • My interview with Dr. Horst Buchholz (21 January 2025)

Includes Dr. Buchholz’s obituary for William Mahrt: “A Gentleman, a Scholar, and a Friend”

Jeff Ostrowski · January 22, 2025

PDF Download • “Pipe Organ Recessional” (Manuals Only) — George Frederick Handel

I have a confession to make…

Jeff Ostrowski · January 21, 2025

PDF Download • Singers’ Wedding Booklet (28 Pages)

I don’t pretend to have an answer to this question.

Jeff Ostrowski · January 20, 2025

PDF • “Gloria VIII” on 5 lines!

As of a few minutes ago, you can freely download this PDF score.

Julie Huebner · January 19, 2025

PDF Download • “Small Choirs, Unite!” (2nd Part)

This is definitely a piece worth bringing out for choirs of all sizes!

Jeff Ostrowski · January 18, 2025

“Music List” • 2nd Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · January 17, 2025

“2-Voice Piece” • For February 2nd

The hymn traditionally sung on the feast of the Purification.

Jeff Ostrowski · January 15, 2025

“Entrance Chant” • 2nd Sunday (Ord. Time)

This English adaptation matches the mode of the authentic Gregorian Chant version.

Jeff Ostrowski · January 14, 2025

PDF Download • “Rare Hymnal” (1966) by Monsignor Hayburn and Others — 632 Pages!

In 1979, Monsignor Robert F. Hayburn published an important book called: “Papal Legislation on Sacred Music.”

Jeff Ostrowski · January 14, 2025

Repugnant Rhymes in Hymns

This stuck out like a sore thumb.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

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