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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Jeff Ostrowski · October 13, 2021

Seven Solutions • “Getting Catholics Singing Again”

At the conservatory, we’re surrounded by hundreds of professional musicians; but stepping into a Catholic parish the situation is quite different.

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Jeff Ostrowski · October 5, 2021

Two Hymns Loved By Everyone … Except Purists!

Fulton J. Sheen: “In those days there were no scandal columns, but there were scandalmongers.”

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Jeff Ostrowski · September 28, 2021

PDF Download • “Can A Hymnal Be Too Catholic?”

Can Protestant translations be dangerous? This paper presents items worth considering.

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Jeff Ostrowski · September 24, 2021

“Easy Polyphonic Agnus Dei” • Part 3 of 3

The ability of your singers to sight-read music instantly does not guarantee a good performance.

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Jeff Ostrowski · September 21, 2021

“A Truly Eucharistic Hymn” • Christ the King (SATB)

Did Vatican II “restore” the hymns—as mandated by §93 of Sacrosanctum Concilium?

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Jeff Ostrowski · September 19, 2021

Clarion Call To All Choirmasters! • (26 Sept.)

Forty images of (IMHO) the patron saints of church musicians.

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Jeff Ostrowski · September 14, 2021

PDF Download • Three Myths About Hymns

Did you know Catholics began translating hymns from Latin into the vernacular about 400 years before the Protestant Revolution?

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Jeff Ostrowski · September 7, 2021

“Hand-Communion?” • Provocative Quotes

“Accepting Vatican II” seems to mean deliberately contradicting the actual documents of Vatican II.

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Jeff Ostrowski · August 27, 2021

PDF Download • “Pater Noster” by Van Nuffel (1937)

Throughout my career, I have tried to follow the advice Cardinal Mercier gave the young Fulton J. Sheen.

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Jeff Ostrowski · August 24, 2021

Church Musicians: The Revolution Starts Today!

Do what’s right, say your prayers, offer each day to Jesus Christ, and hold your head high!

Jeff Ostrowski · August 17, 2021

A Teaching Moment • Including “Hail, Holy Queen Enthroned Above”

Why on earth does the cost of butter matter?

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Jeff Ostrowski · August 11, 2021

“Feast of All Saints” • Do You Know This Hymn?

All Saints—November 1st—will be here before you know it!

Jeff Ostrowski · August 6, 2021

PDF Download • Alleluia (SATB) by Morales for “Ordinary Form” + “Extraordinary Form”

This piece works well in the “OF” (Ordinary Form) and also the “EF” (Extraordinary Form).

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Jeff Ostrowski · August 5, 2021

“Talking To Dead Composers” • Part 2

Including a live recording (without organ) of “Alleluia, Sing To Jesus” by a volunteer choir.

Jeff Ostrowski · August 4, 2021

It Finally Happened.

Father Valentine used to say: “The cemeteries are full of people who thought they were indispensable.”

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

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