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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Articles

Fr. David Friel · April 5, 2020

Craving the Body of Christ

Insights from Joseph of Arimathea

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Andrea Leal · April 4, 2020

Repeating Repertoire? • Andrea Leal

To repeat or not to repeat: that is the question!

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Fr. David Friel · April 2, 2020

Repeating Repertoire? • Father Friel

The merits of repetition and variation.

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Patrick Torsell · April 2, 2020

Repeating Repertoire? • Patrick Torsell

The Church’s patrimony of sacred music is so rich, so replete with material for most any occasion, that it seems on the surface we ought not need to repeat. But there are good reasons to repeat repertoire tastefully.

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Jeff Ostrowski · April 2, 2020

What a young Father Morales wrote for Charles V

I prefer this old recording—but there are plenty of modern recordings available if you don’t like it.

Dr. Gregory Hamilton · April 1, 2020

Repeating Repertoire? • Dr. Hamilton

Psalm 51 occurs a dozen times in the lectionary during the year, for such diverse days such as St. Thomas Aquinas, weekdays during ordinary Time, many days in Lent, and the Easter Vigil.

Jeff Ostrowski · April 1, 2020

Hymn: “All glory, laud, and honor to Thee, Redeemer, King” (Sopr, Alto, Tenr, Bass)

Today, rehearsal videos were uploaded for each *individual* voice part: Soprano, Alto, Tenor, Bass.

Wilfrid Jones · March 31, 2020

Repeating Repertoire? • Wilfrid Jones

Post-Liberal Theology compares a religion to a language. How might that comparison, which could include the concept of a “vocabulary” of liturgical music, inform how we think about repeating repertoire?

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Veronica Brandt · March 31, 2020

Repeating Repertoire? • Veronica Brandt

Sometimes a music director can encounter criticism about the music program. The good side of this is that it shows that someone cares.

Jeff Ostrowski · March 31, 2020

Going Beyond Archbishop Fulton Sheen’s “Take”

Sheen has sometimes been criticized for avoiding mention of the sacred liturgy during his talks, but I cannot agree with such a view. • Includes about the Holy Eucharist, including a quote by Father Leslie Rumble and a quote from Pope Pius X+

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Christopher Mueller · March 30, 2020

Repeating Repertoire? • Christopher Mueller

I’m sure I’m not the only one to feel this way: certain celebrations don’t feel right without “that piece.”

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Patrick Torsell · March 29, 2020

8 Tips • “Improving Live Stream Audio Quality”

Many churches have turned to live streaming during these difficult times. But getting the audio quality right is challenging. Here are some tips!

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Richard J. Clark · March 28, 2020

Repeating Repertoire? • Richard J. Clark

“Repetition” in the Age of Streaming Masses…

Jeff Ostrowski · March 27, 2020

HYMN • “Vexilla Regis” (SATB setting in English)

Father Adrian Fortescue (d. 1923) called this “perhaps the greatest of all hymns.”

Veronica Moreno · March 27, 2020

Repeating Repertoire? • Veronica Moreno

My own growth as a musician for the Liturgy has culminated in my pastor allowing me to sing the Propers in English: the realization of a decade-long dream.

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“No official approbation is required for hymns, songs, and acclamations written for the assembly.”

— Statement by the “Bishops’ Committee on the Liturgy” (10-NOV-1996)

Recent Posts

  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

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