Views from the Choir Loft

Articles

Corpus Christi Watershed · November 13, 2012

Chant, Polyphony, and the New Evangelization.

VIDEO: Pope Benedict tells a choir group on pilgrimage in Rome that sacred music can be an effective means of the new evangelization.

Cynthia Ostrowski · November 12, 2012

Latin Mass at the University of Steubenville

Mass in the Extraordinary Form was recently offered at the Franciscan University of Steubenville.

Jeff Ostrowski · November 11, 2012

Folding One’s Hands At Mass

“It is a queer type of mind that actually is interested in knowing whether the deacon should stand at the right or the left of someone else at some moment.” Why would Dr. Fortescue say this?

Jeff Ostrowski · November 8, 2012

The Greatest Blog Entry Ever Of All Time

Edwin Fischer was considered the greatest Swiss pianist. I believe Alfred Cortot was also Swiss, but most people considered him French.

Fr. David Friel · November 4, 2012

Right Priorities

Public & Private

Jeff Ostrowski · November 3, 2012

[Book] Benedict XVI And Beauty In Sacred Music

This book looks like it would make a wonderful Christmas gift!

Jeff Ostrowski · November 2, 2012

The Importance Of Gestures

Physical gestures of reverence and adoration play a huge part in Catholic worship . . .

Jeff Ostrowski · November 2, 2012

Liturgy And Our Television Age

Have you noticed that absolutely everything is shown on television these days?

Fr. David Friel · November 1, 2012

Mozart’s Sacred Music

Extra Ecclesiam

Fr. David Friel · October 28, 2012

My Soul Proclaims

Out of the Depths

Fr. David Friel · October 19, 2012

The Year of Faith

Top 10 Ways to Celebrate

Fr. David Friel · September 28, 2012

Faith Is Obnoxious

Life as the Just One

Fr. David Friel · September 21, 2012

Source of Excitement

Weddings vs. Receptions

St. Edmund Campion Missal and Hymnal · September 14, 2012

“Lead, Kindly Light”

Cardinal Newman Beatification Film

Fr. David Friel · September 14, 2012

Ephphetha

Beyond the Physical

“Offertory” at Catholic Funerals

I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!

—Jeff Ostrowski

“In Paradisum” • Gregorian Chant

As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.

—Jeff Ostrowski

“Music List” • All Souls (2 November)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).

—Jeff Ostrowski

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)